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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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3296
Herbstauktionen 19.–20.10.2018
Gottesmutter «Trost aller Leidenden» mit Oklad
Mother of God «Comfort for all the Suffering» with oklad. St. Petersburg circa 1820. Egg tempera over chalk ground on panel, partially gilt, and silver 84 zolotnik as well as freshwater pearls. Mother of God with Child Jesus in a mandorla, accompanied by the poor and the sick with pleas on banderoles, a biblical quotation at her feet. Oklad with relief and floral edges, attached halo and icon gown from freshwater pearls. Hallmark, maker's mark in Cyrillic «M.F.SCH» for Schtalow, silversmith (1817 - 1849), assayer's mark in Cyrillic «A.J.» for Alexander Ilitch Jaschinow (1795 - 1826) and city mark for Saint Petersburg (datable 1776 - 1825). Minor signs of age.
H 33,7, W 28,5 cm.
This theme is also known as «Joy for all the Afflicted» and is especially worshipped as protection against diseases and infirmities.
Provenance: private collection Freiburg i.Br.
Literature: Klaus Wessel and Helmut Brenske, Ikonen, Munich 1980, p. 227 (cf.).

deutsch St. Petersburg um 1820. Eitempera über Kreidegrund auf Holz, partiell vergoldet, und Silber 84 Solotnik sowie Flussperlen. Gottesmutter mit Jesuskind in einer Mandorla, von Armen und Kranken mit Bitten auf Spruchbändern flankiert, zu ihren Füßen ein Bibelzitat. Reliefiertes Oklad mit floralem Rand, aufgesetzten Nimben und Ikonenkleid aus Flussperlen. Feingehaltsstempel, Meistermarke in Kyrillisch «M.F.SCH» für Schtalow, Silberschmiedemeister (1817 - 1849), Beschaumeisterzeichen in Kyrillisch «A.J.» für Alexander Ilitsch Jaschinow (1795 - 1826) und Stadtmarke für St. Petersburg (datierbar 1776 - 1825). Min. Altersspuren.
H. 33,7, B. 28,5 cm.
Dieses Thema ist auch unter dem Namen «Aller Bedrängten Freude» bekannt und wird besonders als Schutz vor Krankheiten und Gebrechen verehrt.
Provenienz: Privatsammlung Freiburg i.Br.
Literatur: Klaus Wessel und Helmut Brenske, Ikonen, München 1980, S. 227 (vgl.).
 

hammer price: 5500,- EUR
(starting price: 1400,- EUR)