.
Carl Spitzweg
5th February 1808 – 23th September 1885
Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.
A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.
In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.
As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.
To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.
Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.
He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.
Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.
Carl Spitzweg
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1861
Frühjahrsauktionen
Fontana, Lucio
1899 Rosario - 1968 Cornabbio.
E Concetto spaziale. Ball pen and holes on silver coated cardboard, mounted on black cardboard. Signed and dated (19)59 lower middle in ball pen. Passepartout. Unframed. One of 150 unique items of ´La Lune en Rodageª Edition Panserma, Carlo Laszlo, Basel, 1960. Provenance: Private collection. 
1899 Rosario - 1968 Cornabbio.
Concetto spaziale. Kugelschreiber und Lochung/silberbeschichteter Karton, auf schwarzen Karton aufgezogen. Vier L–cher in silberbeschichtetem Karton mit Kugelschreiber umrandet. U. Mitte mit Kugelschreiber sign. und (19)59 dat. H. 12, B. 9,5 cm (Blattgr–þe). Passepartout. Ungerahmt.
Bei diesem Werk handelt es sich um eines von 150 Unikaten aus ´La Lune en Rodageª Edition Panserma, Carlo Laszlo, Basel, 1960.
Im Jahr 1946 initiierte der italienische Avantgarde K¸nstler Lucio Fontana das Manifiesto blanco, Weiþes Manifest, welches die Gedanken des Futurismus aufnahm, eine Synthese von Malerei, Bildhauerei, Musik und Dichtung vorschlug und eine Abkehr von den herk–mmlichen Materialien forderte. Mit den Manifesten seiner ´Movimento spazialeª, Raumkunst, ab dem Jahr 1947 forderte er, alle statischen Kunstgattungen durch eine dynamische Kunst zu ersetzen. Das Werk sollte allein aus der Vorstellungskraft des Betrachters wirken, indem es ´von aller malerischen und propagandistischen Rhetorikª befreit werden sollte. Dieses neue Raumkonzept setzte Fontana um, indem er Bilder perforierte und damit statt eines zweidimensionalen Werks Plastizit”t erreichte. Das Lochmuster entstand meistens auf monochromen Bildern, eine Begrenzung der Fl”che fehlte. Raum sollte sowohl in der Malerei als auch in der Skulptur als ein ´sich frei entfaltendes, unbegrenztes Kontinuumª betrachtet werden. Seine Arbeit benannte der K¸nstler fortan ´Concetto spazialeª, Raumkonzept. Das Jahr 1949 bedeutete eine Z”sur in seinem k¸nstlerischen Schaffen, es entstanden die ersten ´Buchiª, L–cher.
Provenienz: Privatsammlung.