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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2154
Herbstauktionen 06.–08.12.2012
Eggenschwiler, Franz
1930 Solothurn - 2000 Eriswil.
«Neptun (Neptune)», «Tontaubenfries (clay pigeon moulding)», «Rotblau im Feld (red and blue in the field)». Three wood prints. One in the block twice monogrammed and dated 1992 lower middle, on the margin inscribed «hc» lower left, titled lower middle and monogrammed and dated 1992 lower right. One in the block monogrammed and dated 1991 upper right, monogrammed and dated 1995 lower left, titled lower middle and inscribed «h.c.» lower right. One in the block monogrammed and dated 1990 lower middle. Inscribed «h.c.» lower left, titled lower middle and monogrammed and dated 1994 lower right in pencil, blindstamp «Franz Eggenschwiler» lower middle. Partially unframed. Literature: Franz Eggenschwiler - Originalgraphik, o.O., 1996, no. 15 (cf.).
1930 Solothurn - 2000 Eriswil.
«Neptun», «Tontaubenfries», «Rotblau im Feld». Drei Holzdrucke-Irisdruck. Abstrakte Formen in verschiedenen Farbnuancen. Eines im Stock zweimal u. Mitte monogr. und 1992 dat., mit Bleistift außerhalb der Darstellung u.l. bez. «hc», u. Mitte bet. sowie u.r. monogr. und 1992 dat. Eines im Stock o.r. monogr. und 1991 dat. U.l. monogr. und 1995 dat., u. Mitte bet. sowie u.r. bez. «h.c.». Eines im Stock u. Mitte monogr. und 1990 dat., mit Bleistift u.l. bez. «h.c.», u. Mitte bet. sowie u.r. monogr. und 1994 dat. U. Mitte Trockenstempel «Franz Eggenschwiler». Jeweils H. 34, B. 26 cm (Blattgröße). Teilweise ungerahmt.
Bei der von Eggenschwiler entwickelten Technik des Holzdrucks wird nicht, wie beim traditionellen Holzschnitt, ins Holz geschnitten, sondern die Formen werden auf eine furnierte Holzplatte übertragen, ausgesägt und für den Druck wieder zusammengesetzt.
Literatur: Franz Eggenschwiler - Originalgraphik, o.O. 1996, Nr. 15 (vgl.).