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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2045
Winterauktionen 20.–21.11.2020
Havers, Mandy
Born 1953 Portsmouth, lives and works in Coventry.
«One Body».
1992. Leather, felt, wood and glass eyes as well as oil on canvas. Signed under one arm. Stains.
H 174,
Rusty-red, brownish leather, imitating the colour of exposed muscle strands, dominates this whimsical, captivatingly curious work, reminiscent of the enlightened yet eerie skinned statues of the
Authentication: We would like to thank Mr Nicholas Treadwell, Treadwell Gallery, Vienna, for the direct consultation of the artist and the authentication via
Provenance: purchased at the C10 Galerie - Ulrike Behrends, Düsseldorf, in the 1990s; since then med art-collection of the HUG-group, 
Havers, Mandy
Geb. 1953 Portsmouth, lebt und arbeitet in Coventry.
«One Body».
1992. Leder, Filz, Holz und Glasaugen sowie Öl auf Leinwand. Unter einem Arm sign. Flecken.
H.
Rostrotes, bräunliches Leder, die Farbe offen gelegter Muskelstränge imitierend, beherrscht diese wunderliche, fesselnd-kuriose Arbeit, die an die aufklärerischen und zugleich schaurigen, gehäuteten Statuen der Akademien des 18. Jahrhunderts, Écorchés genannt, erinnert. Zwei Muskelmänner, Rücken an Rücken verbunden wie siamesische Zwillinge, nach unten in einem einzigen, säulenartigen Stumpf auslaufend, blicken mit ihren leeren, pupillenlosen Augen in die Ferne. Die Arme mit glatten Schnitten abgelöst, sind sie in ihrem fragmentierten Zustand zu ewiger Passivität und beobachtendem Stillstand verdammt. Wie beim römischen Gott Janus weisen ihre Häupter in entgegengesetzte Richtungen und verkörpern die Unvereinbarkeit der bis in die Unendlichkeit konkurrierenden Extreme wie Werden und Vergehen, Leben und Tod, Vergangenheit und Zukunft.
Echtheitsbestätigung: Wir danken Herrn Nicholas Treadwell, Treadwell Gallery, Wien, für die direkte Rücksprache mit der Künstlerin und die Bestätigung der Echtheit via
Provenienz: erworben in den 1990er Jahren in der C10 Galerie - Ulrike Behrends, Düsseldorf; seitdem med art-Sammlung der HUG-Gruppe,