© 2004-2024 Auktionshaus Kaupp GmbH   Impressum   Datenschutzerklärung E-Mail            Telefon +49 (0) 76 34 / 50 38 0

Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

Results of your search

lotimage

popup

view
 

3511
Herbstauktionen 19.–20.10.2018
Spanish Forger (auch Le Fossaire Espagnol) attr.
Two counterparts. Townscape with river view and figure staffage. Townscape with tournament scene. Tempera on parchment, mounted on backing cardboard. Unsigned. Isolated, slight creasing, minor paint loss, retouching. Verso on the back board auction note.
H 21,3, W 9,2 respectively 9,3 cm (sheet).
Le Faussaire Espagnol, the Spanish Forger, was an anonymous falsifier of medieval miniatures, active in Paris around 1900. Several museums and institutions were deceived and included his works into their own collections. Over 200 miniatures of the Forger are known today. In the meantime, they became iconic and are most popular - explicitly as counterfeits.
Verbal assessment: We would like to thank Prof. Dr. Gaudenz Freuler, Titular Professor of Art History, University Zurich, for the verbal competent attribution, based on photos, 23.08.2018.
Provenance: Dobiaschofsky, Bern, auction A117, 08.11.2013, lot 350; since then private collection.

deutsch Tätig in Paris um 1880 - 1914.
Paar Gegenstücke. Stadtvedute mit Flussansicht und Staffagefiguren. Stadtvedute mit Turnierszene. Tempera auf Pergament, auf Unterlagekarton kaschiert. Unsign. Vereinzelte, leichte Knicke, min. Farbfehlstellen, Retuschen. Verso auf der Rahmenrückwand Auktionsvermerk.
H. 21,3, B. 9,2 bzw. 9,3 cm (Blattgröße).
Le Faussaire Espagnol, der Spanische Fälscher, war ein anonymer, um 1900 in Paris aktiver Fälscher mittelalterlicher Miniaturen. Etliche Museen und Institutionen täuschten sich in den Malereien und nahmen sie in die eigenen Sammlungen auf. Über 200 Werke des Fälschers sind heute bekannt. Mittlerweile haben sie Kultstatus erlangt und sind - explizit als Fälschungen - ausgesprochen beliebt.
Mündliche Beurteilung: Wir danken Herrn Prof. Dr. Gaudenz Freuler, Titularprofessor für Kunstgeschichte, Universität Zürich, für die mündliche kompetente Zuschreibung, anhand von Photos, 23.08.2018.
Provenienz: Dobiaschofsky, Bern, Auktion A117, 08.11.2013, Los 350; seitdem Privatsammlung.
 

hammer price: 800,- EUR
(starting price: 600,- EUR)