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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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4364
Frühjahrsauktionen 27.–28.06.2014
Reuß, Karl Johann Georg attr.
The marriage of the Virgin. Oil on canvas. Signed lower left and dated 1774. Verso lower middle inscribed «Hofmaler Reus pinxit 1774 Im Auftrage des F.B. v. Bamberg», lower right inscribed «Kopie nach dem Gemälde Rafael's in der Brera zu Mailand, darstellend die Trauung Maria's mit Joseph». Restored.
The artist of the present painting is most likely Karl Johann Georg Reuß (circa 1730 - circa 1810), the son of court painter Johann Konrad Reuß, who was active in Bayreuth between 1746 and 1776. Karl Johann was a professor for painting and drawing at the academy for art in Bayreuth between 1756 and 1763, before he decided to relocate to Erlangen. The present painting refers thematically to a painting by Raphael with the same subject, located at the Pinacoteca di Brera in Milan, but using a completely different composition.

deutsch Um 1730 (?) - um 1810 (?).
Die Vermählung Mariens. Öl auf Leinwand. U.l. sign. und 1774 dat. Verso Mitte u. handschriftlich bez. «Hofmaler Reus pinxit 1774 Im Auftrage des F.B. v. Bamberg» sowie u.r. bez. «Kopie nach dem Gemälde Rafael's in der Brera zu Mailand, darstellend die Trauung Maria's mit Joseph». Altrest. H. 57,3, B. 40,5 cm.
Als Künstler kommt am wahrscheinlichsten Karl Johann Georg Reuß (um 1730 - um 1810) infrage. Der Sohn des zwischen 1746 und 1776 in Bayreuth nachweisbaren Hofmalers Johann Konrad Reuß war 1756 - 1763 Professor für Malerei und Zeichenkunst an der Bayreuther Akademie, bevor er anschließend nach Erlangen umsiedelte. Die Darstellung nimmt thematisch Bezug auf ein Gemälde des gleichen Sujets von Raphael in der Pinacoteca di Brera in Mailand, allerdings mit stark veränderter Komposition.
 

hammer price: 1000,- EUR
(starting price: 600,- EUR)