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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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3336
Winterauktionen 20.–21.11.2020
Zampighi, Eduardo Eugenio
1859 Modena - 1944 Maranello.
Peasent meal with the chicks.
Watercolour on cardboard. Signed lower left.
H 55,8,
Born in Modena during the turbulent epoch of the Risorgimento, the Italian unification movement characterised by cultural self-confidence, the talented Eduardo Eugenio Zampighi moved to Florence, which at the time was a reservoir for young, ambitious artists, after studying at the academy of his home town and an intermezzo in the time-honoured art metropolis of Rome. It were above all the so-called «Macchiaioli», literally painters of spots, with their novel style of painting close to the French realism, which aroused his interest and inspired him to discover the everyday life and work of ordinary people as a motif. The intention behind these detailed, occasionally humorous genre scenes was, for Zampighi as for his role models, to make visible the abstract concept of "italianità", the characteristic essence of the Italian temper.
Provenance: private possession Pforzheim. 
Zampighi, Eduardo Eugenio
1859 Modena - 1944 Maranello.
Bäuerliches Mahl mit den Küken.
Aquarell auf Malkarton. U.l. sign.
H. 55,8,
Geboren in Modena während der turbulenten Epoche des Risorgimento, der von kulturellem Selbstbewusstsein geprägten italienischen Einheitsbewegung, zog es den begabten Eduardo Eugenio Zampighi nach dem Studium an der Akademie seiner Heimatstadt und einem Intermezzo in der altehrwürdigen Kunstmetropole Rom nach Florenz, das zu jener Zeit ein Sammelbecken für junge, ambitionierte Künstler war. Vor allem die sogenannten «Macchiaioli», wörtlich Kleckser, mit ihrer neuartigen, am französischen Realismus geschulten Malweise, erregten sein Interesse und bewegten ihn, das alltägliche Leben und Arbeiten der einfachen Menschen für sich als Motiv zu entdecken. Die Intention dieser detailreichen, gelegentlich humorvollen Genreszenen war bei Zampighi, wie bei seinen Vorbildern, den abstrakten Begriff der «italianità», die charakteristische Essenz der italienischen Wesensart, sichtbar zu machen.
Provenienz: Privatbesitz Pforzheim.