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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2108
Winterauktionen 25.–26.11.2022
Liebchen, Sabine
Born 1960 Düsseldorf, lives an works in Meerbusch.
«o. T. (busy in red) (untitled - busy in red)».
Acrylic on canvas. Verso signed and dated (20)22.
H 120,
«The fact that, in her pictures, Sabine Liebchen depicts almost exclusively women, and almost always from behind, virtually challenges to pose the question ‹why?›. […] The depiction of figures viewed from behind also disregards any discussion about the faces of the models […]. All these stipulations of frameworks only lead viewers back to the pictures themselves. And if clothing plays a role at all, it is a subordinate role. Of primary interest are the women who wear these clothes, and the way they stand within the picture, captured in a movement.» from: Johannes Stahl (Ed.), Sabine Liebchen, Cologne 2018, p. 11 - 12.
Provenance: studio of the artist.
Condition report 