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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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3201
Winterauktionen 24.–25.11.2023
Schumacher, Emil
1912 Hagen - 1999 San José/Ibiza.
«G-18/1979».
Mixed media with gouache, India ink and sand on brown primed packing paper. Signed lower right and dated (19)79.
H 62,5,
This work was created during Emil Schumacher's time on Ibiza.
«My love belongs to paper, as it offers itself in its many forms: from precious handmade paper to cheap wrapping paper, from the printed paper of the newspaper to ‹Macaroni Latino› on old handmade paper. I treat it disrespectfully, crumple it, tear it, only to put it back together again. There are injuries, scars - that's good, that's part of it. I imprint it on the further process. In this way, or in a similar way, the paper becomes compliant with me and helps me to move on.» Emil Schumacher, cited in: Galerie Boisserée (Ed.), Emil Schumacher, Radierungen und Arbeiten auf Papier, Cologne 2009, w/o p.
Authentication: We would like to thank Mr Rouven Lotz, Emil Schumacher Museum, Hagen, for the authentication via
Provenance: purchased at Galerie Dr. Luise Krohn, Badenweiler, in 1986; since then private collection Müllheim in the Markgräflerland.
Exhibition: Emil Schumacher, Bilder, Gouaches, Zeichnungen, Mülheim, Galerien Merten Slominsky, Lausanne, Galerie Alice Pauli, Zurich, Galerie Istvàn Schlégl, Febuary 1980 until January 1981; Emil Schumacher, Siegen, Städtische Galerie Haus Seel, 28.06.1982 - 01.08.1982.
Literature: Galerie Merten Slominsky (Ed.), Emil Schumacher, Bilder, Gouaches, Zeichnungen, Mülheim 1980,
Catalogue raisonné: The work is documented in the catalogue of the works by Dr. Ulrich Schumacher, Emil Schumacher Stiftung, under the number 0/1.939.
Condition report 