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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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5417
Herbstauktionen 06.–08.12.2012
Fonteyn, Adriaen Lucasz. attr.
1626 Ieper - 1661 Rotterdam.
Assembly of the protective guild. Oil on panel. Monogrammed middle right. Restored crack in the panel. Authentication: We would like to thank Mr Fred Meijer, Conservator, Afd. Oude Nederlandse Schilderkunst/Curator, Dpt. of Old Netherlandish Painting, Rijksbureau voor Kunsthistorische Documentatie (RKD), Den Haag, for the scientific advice via e-mail, based on photos.
1626 Ieper - 1661 Rotterdam.
Versammlung der Schützengilde. Öl/Holz. Gruppenbildnis einiger Männer, vermutlich Mitglieder der niederländischen Bürgerwehr, in abendlicher Umgebung. In der Bildmitte ein Mann in aufrechter Haltung in gelbem Wams, das Bildfeld dominierend. Daneben weitere Figuren, davon eine aus einem Pergament vorlesend, eine kniend und eine mit Pauke. Mitte rechts monogr. Holzriss altrest. H. 47,5, B. 64 cm.
Die Szenerie erinnert etwas an Rembrandts weltberühmtes Gemälde «De compagnie van Frans Banning Cocq», allgemein bekannt unter dem Titel «Die Nachtwache». Auch vorliegendes Gruppenbildnis zeigt eine ähnliche Versammlung, wie die der Bürgerwehr des 17. Jahrhunderts aus Rembrandts Gemälde. In der Zeit des achtzigjährigen Krieges, in der die Niederlande versuchten, sich von der spanischen Krone loszusagen, existierten zahlreiche dieser Bürgerwehren.
Authentifizierung: Wir danken Herrn Fred Meijer, Conservator, Afd. Oude Nederlandse Schilderkunst/Curator, Dpt. of Old Netherlandish Painting, Rijksbureau voor Kunsthistorische Documentatie (RKD), Den Haag, für die wissenschaftliche Beratung via E-Mail, anhand von Photos.