.
Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
Results of your search
Matches:
1/1 overview 
| send e-mail 
| Survey of the artists
 Image under artist's copyright. |
2107
Winterauktionen 20.–21.11.2020
Schork, Hans
Born 1935 Aschaffenburg, lives and works in Munich and Vilsbiburg.
«Gafsa 1973». Light kinetic object.
Object box of black acrylic glass, fluorescent tube and electric motor, mounted on wood (back board). Verso signed, dated 1986, titled and numbered 3/20. Electrified. Object box with slight signs of use.
H 57,5,
«Building on different forerunners, [...] in the 1950s and 60s, a real light-kinetic movement of some broad impact could unfold. The role played by the Düsseldorf-based group ZERO can hardly be overestimated [...]. The slogans were "light, dynamics, vibration, cosmos". [...] Hans Schork's light art, with which he began at the end of the 1960s, is thus an impression of the times' spirit. [...] But Schork found the way to his art through his profession as a surveying technician. [...] He created a seemingly never-ending continuum using different patterns in the front and turntable. [...] Caution, restraint and concentration are the essential characteristics of Hans Schork's light objects.» from: Henrike Holsing, Hans Schorks Lichtobjekte - Der Kosmos im Kasten, Aschaffenburg, 2010/11.
Provenance: med art-collection of the HUG-group, 
Schork, Hans
Geb. 1935 Aschaffenburg, lebt und arbeitet in München und Vilsbiburg.
«Gafsa 1973». Lichtkinetisches Objekt.
Objektkasten aus schwarzem Acrylglas, Leuchtstoffröhre und Elektromotor, auf Holz (Rückwand) montiert. Verso sign., 1986 dat., bet. und 3/20 num. Elektrifiziert. Objektkasten mit leichten Handhabungsspuren.
H. 57,5,
«Auf unterschiedlichen Vorläufern aufbauend, konnte sich [...] in den 1950er und 60er Jahren eine regelrechte lichtkinetische Bewegung von einiger Breitenwirkung entfalten. Eine kaum zu überschätzende Rolle spielte dabei die Düsseldorfer Gruppe ZERO [...]. Schlagworte waren "Licht, Dynamik, Vibration, Kosmos". [...] Hans Schorks Ende der 1960er Jahre einsetzende Lichtkunst ist also Eindruck eines Zeitgeistes. [...] Den Weg zu seiner eigenen Kunst aber fand Schork durch seinen Beruf als Vermessungstechniker. [...] Durch unterschiedliche Muster in Front- und Drehscheibe erzeugte er ein scheinbar nie endendes Kontinuum. [...] Behutsamkeit, Zurückhaltung und Konzentration gehören zu den wesentlichen Merkmalen von Hans Schorks Lichtobjekten.» aus: Henrike Holsing, Hans Schorks Lichtobjekte - Der Kosmos im Kasten, Aschaffenburg, 2010/11.
Provenienz: med art-Sammlung der HUG-Gruppe,