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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2349
Herbstauktion 27.–29.11.2008
Jahresmappe der Gesellschaft für vervielfältigende Kunst in Wien, Jahrgang 1905 - 1911
In sieben Mappen 30 Farbradierungen, Farbholzschnitte, Algraphien. Darunter «Abend vor Venedig» von Karl Thiemann, «Winterlandschaft (Miletin in Nordböhmen)» von Max Pollak und «Morgenstunde in Paris» von Franz Simon, «Landschaft» von Otto Richard Bossert, «Hirschkühe» von L.H. Jungnickel, «Brücke über die Nethe in Lierre» von Marten van der Loo, «Brücke von Alcantara» von Joseph Pennell, «Stephanskirche» von Luigi Kasimir, «Schaf im Pferch» von Heinrich Otto, «Steinernes Kreuz (Bretagne)» von Walter Zeising, «Feldweg» und «Stift Melk» von Alois Hänisch, «Junge Hunde» von Walther Klemm, «Birken im Herbst» von Karl Thiemann, «Arbeitspferd» von Paul Dupont, «Dürnstein» von Luigi Kasimir, «Prozession in Volendam» von Ferdinand Kruis, «Der Wind» von Franz Simon, «Le Pont de Saint-Louis, Paris» von Eugène Béjot, «Ziegelofen bei Heiligenstadt» von Josef Danilowatz, «Felsschlucht» von Rudolf Jettmar, «Arbeiterfrau» von Käthe Kollwitz, «Le Canal D'Eu» von Gustave Leheutre, «Marienturm in Krakau» von Josef von Rapackl, «Winternebel» von Karl Biese, «Herbstabend» von Gustav Kampmann, «Beethoven» von Alois Kolb, «Die Donau bei Persenbeug» von Richard Lux, «Winter» von Oswald Roux, «Ein Windstoss» von Karl Schmoll von Eisenwerth. Teilweise in der Platte bzw. auf Passepartout bez. und bet. sowie monogr. Teilweise fleckig. H. 35,5 bis 46, B. 39 bis 57 cm (Bl.). Ungerahmt.