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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2105
Winterauktionen 20.–21.11.2020
Schneider, Birgit
Born 1963 Munich, lives and works in Munich.
«Salome».
Acrylic on canvas. Signed lower right and dated (19)87.
H 145,
At a banquet, the beautiful Salome is said to have enchanted King Herod so much by performing a seductive veil dance that he granted her a wish, after which she asked for the beheading of John the Baptist. The sensual and wicked eroticism of this perfidious arrangement excited the vivid imagination of artists of all eras. Birgit Schneider's version shows a self-confident dancer caught in a dynamic movement, with a shimmering, colourful cloth loosely draped around her hips. At second glance, a skull in the background can be assumed that refers to the fate of John.
Authentication: We would like to thank the artist for the verbal authentication and the confirmation of the subject, based on photos, 25.09.2020.
Provenance: private collection Klaus Hug, 
Schneider, Birgit
Geb. 1963 München, lebt und arbeitet in München.
«Salome».
Acryl auf Leinwand. U.r. sign. und (19)87 dat.
H.
Bei einem Bankett soll die schöne Salome durch einen verführerischen Schleiertanz den König Herodes so bezaubert haben, dass er ihr einen Wunsch frei gab, worauf sie nach der Enthauptung Johannes des Täufers verlangte. Die sinnlich-verruchte Erotik dieser perfiden Abmachung erregte die blühende Phantasie von Künstlerinnen und Künstlern aller Epochen. Birgit Schneiders Version zeigt eine selbstbewusste Tänzerin in einer dynamischen Bewegung festgehalten, ein flirrendes, buntes Tuch locker um die Hüften gelegt. Auf den zweiten Blick erahnt man im Hintergrund einen Totenkopf, der auf das Schicksal des Johannes verweist.
Echtheitsbestätigung: Wir danken der Künstlerin für die mündliche Bestätigung der Echtheit und des Sujets, anhand von Photos, 25.09.2020.
Provenienz: Privatsammlung Klaus Hug,