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Professor Hermann Dischler

25th September 1866 – 20th March 1935

Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.

1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».

In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.

In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.

Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993

Professor Hermann Dischler

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 Image under artist's copyright.

1885
Frühjahrsauktionen 02.–04.06.2011
Matta, Roberto Sebastian
1911 Santiago de Chile - 2002 Civitavecchia.
E ´Droites liberÈesª. Title with poem by Henri Michaux, on the last page numbered 10/100 and signed by Michaux. 14 aquatints in colours on Arches-Velin and 14 aquatints in colours on Japon nacrÈ. All numbered 10/100 lower left and signed lower right by Matta in pencil. Edition Georges Visat, Paris, 1971. Original box. Provenance: Private collection.

deutsch 1911 Santiago de Chile - 2002 Civitavecchia.
´Droites liberÈesª. Titel mit Gedicht von Henri Michaux, im Druckvermerk 10/100 num. sowie von Michaux sign. 14 Farbaquatintaradierungen/Arches-Velin sowie 14 Farbaquatintaradierungen/Japon nacrÈ. Abstrakte Kompositionen. Alle mit Bleistift u.l. 10/100 num. sowie u.r. von Matta sign. Edition Georges Visat, Paris, 1971. H. 22 bis 28, B. 15,5 bis 19,5 cm (Darstellung), H. 42,5, B. 31,5 cm (Blattgr–þe). Original Kassette.
Provenienz: Privatsammlung.
 

hammer price: 3400,- EUR
(starting price: 4500,- EUR)