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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2112
Winterauktionen 25.–26.11.2022
Lüpertz, Markus
Born 1941 Liberec/Bohemia, lives and works in Berlin, Karlsruhe, Düsseldorf and Florence.
«Ich Orpheus... (I Orpheus…)».
1955. Special edition including the original etching of the artist's book object, 90 p., with 21 colour offsets after paintings of the artist, poems by Markus Lüpertz on the topic of Orpheus as well as a music CD (60 min.). Colour etching with watercolour «Orpheus mit Lyra (Orpheus with lyra)» on laid paper monogrammed lower right. Illustrated cardboard binding with embedded CD in the front lid and linen cassette with cover vignette.
H 24,5, B
H 30,
H 30,5,
H 33,
The hand coloured and monogrammed drypoint etching is one of 60 unnumbered copies, belonging to the special edition where only 30 copies were revised by hand. As each print is painted in slightly different watercolours, the works each have a unique character. Published by Compatype in-house music. Printed by Engelhardt & Bauer, Karlsruhe.
Provenance: present of the artist to the technical advisor of the book project; since then private collection Karlsruhe.
Condition report 