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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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3294
Winterauktionen 20.–21.11.2020
Jeannin, Georges
1841 Paris - 1925 ibid.
Withering bouquet of roses.
Oil on panel. Signed lower left.
H 32,5,
Parisian-born Georges Jeannin was a renowned expert on flower still lifes. His award-winning paintings received much recognition at the world exhibitions of 1889 and 1900, among others. His specialty were lush rose bouquets, whose full, dense forms were depicted in such a colourful way that the viewer is under the illusion of smelling the sweet fragrance of the almost fading queen of flowers. 
Jeannin, Georges
1841 Paris - 1925 ebd.
Verblühender Rosenstrauß.
Öl auf Holz. U.l. sign.
H. 32,5,
Der gebürtige Pariser Georges Jeannin war ein ausgewiesener Experte für Blumenstillleben. Unter anderem bei den Weltausstellungen von 1889 und 1900 fanden seine preisgekrönten Gemälde viel Anerkennung. Sein besonderes Talent lag bei üppigen Rosenbouquets, deren füllige, dichte Formen er so farbenprächtig darzustellen wusste, dass wir als Betrachtende der Illusion anheimfallen, den süßlichen Wohlgeruch der fast verblühenden Königin der Blumen zu verspüren.