.
Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
Results of your search
Matches:
1/1 overview 
| send e-mail 
| Survey of the artists
 |
3008
Winterauktionen 20.–21.11.2020
Dalpayrat, Pierre-Adrien
1844 Limoges - 1910 ibid.
Pair of large shoulder vases.
Circa 1905. Stoneware, high-firing glazed in red, dark purple, blue and green. Incised signature «Dalpayrat» under the base.
H 41,5, Diam. 27 cm.
Pierre-Adrien Dalpayrat, who is known above all for his eccentric combinations of zoomorphic figures and anatomically intricate Art Nouveau ceramics, devoted himself from 1889 onwards to artistic ceramic objects, to which he lent individual character with his characteristic «Rouge Dalpayrat», a translucent sang de boeuf colour. The «flamed stoneware», first shown in an exhibition in the prestigious Gallery Petit, Paris, in 1892, found its way into well-known collections from then on. Dalpayrat's works, which were awarded the gold medal at the Paris World Exhibition in 1900, are now established works in important museum collections such as the Metropolitan Museum of Art, New York, and the British Museum, London. 
Dalpayrat, Pierre-Adrien
1844 Limoges - 1910 ebd.
Paar große Schultervasen.
Um 1905. Steinzeug, rot, dunkelviolett, blau und grün scharffeuerglasiert. Unter dem Boden Ritzsignatur «Dalpayrat».
H. 41,5,
Pierre-Adrien Dalpayrat, der vor allem für seine exzentrischen Kombinationen von zoomorphen Figuren und anatomisch-verschlungenen Jugendstil Keramiken bekannt ist, widmet sich ab 1889 den kunstkeramischen Objekten, denen er mit seinem charakteristischem «Rouge Dalpayrat», einem durchscheinenden Ochsenblutrot, Individualcharakter verleiht. Das «geflammte Steingut», erstmalig gezeigt anlässlich einer Ausstellung in der renommierten Galerie Petit, Paris, im Jahre 1892, fand von da an Einzug in bekannte Sammlungen. Dalpayrats Werke, die 1900 auf der Pariser Weltausstellung mit der Goldmedaille ausgezeichnet wurden, sind heute etablierte Werke wichtiger Museumssammlungen wie dem Metropolitan Museum of Art, New York, und dem British Museum, London.