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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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1483
Frühjahrsauktionen
Francken, Frans d.J. attr.
1581 Antwerpen - 1642 ebd.
E Birth and triumph of Venus. Oil on canvas, relined. Unsigned. On the stretcher frame fragments of wax seal and inscribed ´Accademia di Milano [...]ª. Restored. Provenance: South German private collection.
1581 Antwerpen - 1642 ebd.
Geburt und Triumph der Venus. ÷l/Lw., doubl. Den Wellen entsteigende Liebesg–ttin, umgeben von Tritonen, Nereiden und weiteren, auf Hippocampen reitenden Meerwesen. Im Himmel gefl¸gelte Putti mit Pfeil und Bogen auf die Sch–ne zielend. Unsign. Auf dem Keilrahmen Fragmente eines Wachsstempels mit bekr–ntem Doppelkopfadler und bez. ´Accademia di Milano [...]ª. Rest. H. 53,5, B. 63,5 cm.
Das Motiv der Geburt der Venus ist den meisten durch Sandro Botticellis um 1485 entstandenes Gem”lde gel”ufig. Als Darstellung des Triumphs der Venus erlangte FranÁois Bouchers Gem”lde groþe Ber¸hmtheit. In der vorliegenden Arbeit vermengen sich beide Motive zu einem. Im Zentrum sieht man die gerade aus dem Meerschaum entstiegene G–ttin, von vier Geburtshelferinnen gest¸tzt. Um sie herum ist das Meer in Aufruhr: Seine mythologischen Bewohner haben sich zahlreich versammelt, um ihre Geburt zu feiern. Sogar im Himmel wimmelt eine Heerschar von Amoretten, die mit Pfeil und Bogen bewaffnet auf die Neugeborene zielen.
Provenienz: S¸ddeutsche Privatsammlung.