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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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4406
Herbstauktionen 04.–05.10.2013
Droochsloot, Cornelis
1630 (?) Utrecht - 1673 ebd.
Village scene. Oil on panel. Unsigned. Verso on old label inscribed «Collectie Goudstikker, Amsterdam». Authentication: We would like to thank Mrs Ellis Dullaart, Assistant Curator, Dpt. Dutch and Flemish Old Master Paintings, Rijksbureau voor Kunsthistorische Documentatie (RKD), Den Haag, for the scientific advice via 
1630 (?) Utrecht - 1673 ebd.
Dorfszene. Öl/Holz. Blick auf eine breite Dorfstraße mit bäuerlicher Figurenstaffage, im Hintergrund ein weites Feld unter leicht bewölktem Himmel. Unsign. Verso auf altem Etikett bez. «Collectie Goudstikker, Amsterdam».
Cornelis Droochsloot, Sohn des Joost Cornelisz. Droochsloot, war Meister in der Darstellung von Dorfszenen, die in seiner frühen Schaffensperiode an Esaias van de Velde erinnern. Typisches Bildelement ist hierbei eine breite, von Häusern umfasste Dorfstraße mit perspektivischer Verlängerung in einen weiten Hintergrund.
Authentifizierung: Wir danken Frau Ellis Dullaart, Assistant Curator, Dpt. Dutch and Flemish Old Master Paintings, Rijksbureau voor Kunsthistorische Documentatie (RKD), Den Haag, für die wissenschaftliche Beratung via
Provenienz: Mak, Amsterdam, 14.10.1918, Los 21; Kunsthandel Goudstikker, Amsterdam, nach 1927;