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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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1755
Frühjahrsauktionen
Dietrich, Adolf
1877 Berlingen - 1957 ebd.
E Two bluetits. Oil on cardboard. Signed lower left and dated 1957. Authentication: We would like to thank Markus Landert, curator of the Kunstmuseum Thurgau-Ittinger Museum, Kartause Ittingen, Warth, for the scientific consultation based on photos. Provenance: Swiss private property and heirs.
1877 Berlingen - 1957 ebd.
Zwei Blaumeisen. ÷l/Karton. Vor dem Hintergrund des zartblauen Bodenseeufers mit gr¸ner Uferlandschaft am Horizont, zwei Meisen mit blau-gelbem Gefieder auf einem unbelaubten Zweig sitzend, eine nach links, die andere nach rechts gewandt. U.l. sign. sowie 1957 dat. H. 25,5, B. 19 cm.
Das detailverliebte ÷lbildchen ist ein typisches Beispiel f¸r die Naturstudien des Sp”twerks von Adolf Dietrich. Bevorzugt hielt der K¸nstler seine Natureindr¸cke in Bleistiftskizzen oder Schwarz-Weiþ-Photographien fest, um diese sp”ter in seinem Atelier in Farbe auszuarbeiten. Mit seiner unbek¸mmerten und phantasievollen Motivwahl einerseits und seinem Hang zu detailgetreuen, klaren Formen andererseits bewegt sich sein Stil zwischen Naiver Malerei und Neuer Sachlichkeit.
Authentifizierung: Wir danken Markus Landert, Museumsdirektor Kunstmuseum Thurgau-Ittinger Museum, Kartause Ittingen, Warth, f¸r die wissenschaftliche Beratung anhand von Photos.
Provenienz: Schweizer Privatbesitz und Nachfolge.