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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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3086
Winterauktionen 08.–09.12.2017
Klasen, Peter
Geb. 1935 Lübeck, lebt und arbeitet in Vincennes.
«Volant/Serrage-Lock». Acrylic, rope, cable, metal bracket and steering wheel on canvas. Verso signed, dated 1989 and titled as well as two labels of Gallery Louis Carré, Paris, with the work's data and numbered «D.7418».
Peter Klasen is an important member of the «Figuration Narrative». Typical for his work is the utilisation of acrylic paintings in combination with applied elements of collage or assemblage. Furthermore the division of his paintings into zones and, since the 1960s, frequently recurring motifs and diverse armatures like plug sockets, switches and painted or applied water taps. With this configuration, the so-called «modelled painting», Klasen achieves a high degree three-dimensional effect of his depicted objects, which are characterised by a cool and photo-realistic formal language.
Provenance: Gallery Louis Carré, Paris; private collection.
Literature: Pascale Le Thorel, Peter Klasen Oeuvres 
Geb. 1935 Lübeck, lebt und arbeitet in Vincennes.
«Volant/Serrage-Lock». Acryl, Seil, Kabel, Metallwinkel und Steuerrad auf Leinwand. Verso sign., 1989 dat. und bet. sowie zwei Etiketten der Galerie Louis Carré, Paris, mit den Angaben zum Werk sowie «D.7418» num.
H.
Peter Klasen ist ein bedeutendes Mitglied der «Figuration Narrative». Typisch für seine Werke sind Acrylmalereien in Kombination mit Collage- bzw. Assemblage-Elementen, die Einteilung seiner Bilder in Zonen sowie die ab den 1960er Jahren stets wiederkehrenden Motive und diverse Armaturen wie Steckdosen, Schalter oder auch gemalte oder applizierte Wasserhähne. Mit dieser Anordnung, dem «modellierenden Malen», erzielt Klasen eine sehr plastische Wirkung seiner Bildgegenstände, denen eine kühle, photorealistische Formsprache zu eigen ist.
Provenienz: Galerie Louis Carré, Paris; Privatsammlung.
Literatur: Pascale Le Thorel, Peter Klasen Œuvres