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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2127
Winterauktionen 20.–21.11.2020
Dalí, Salvador
1904 Figueres - 1989 ibid.
«Le Géant Béliagog (two Isoldes around Tristan)» from «Tristan et Iseult (Tristan and Isolde)».
1970. Colour drypoint on Japon, mounted on backing cardboard. Signed lower right and numbered «XX/LXXV» lower left.
H 40,
H 66,
Work from an edition of 75 signed and numbered copies on Japon, published by Broutta, Léon Amiel, Orangerie Reinz and Grafica Contemporanea Ateliers Rigal. Sheet 16 of 21 colour drypoints from the series «Tristan and Isolde».
Certificate of authenticity: Kunsthandlung Wild, Lahr/Schwarzwald, 29.01.1985.
Provenance: private collection Denzlingen.
Catalogue raisonné: Michler/Löpsinger 
Dalí, Salvador
1904 Figueres - 1989 ebd.
«Le Géant Béliagog (Zwei Isolden um Tristan)» aus «Tristan et Iseult (Tristan und Isolde)».
1970. Farbkaltnadelradierung auf Japanpapier, auf Unterlagekarton montiert. U.r. sign. und u.l. «XX/LXXV» num.
H.
H.
Werk aus einer Auflage von 75 signierten und nummerierten Exemplaren auf Japanpapier, herausgegeben von Broutta, Léon Amiel, Orangerie Reinz und Grafica Contemporanea Ateliers Rigal. Blatt 16 von 21 Farbkaltnadelradierungen aus der Serie «Tristan und Isolde».
Echtheitszertifikat: Kunsthandlung Wild, Lahr/Schwarzwald, 29.01.1985.
Provenienz: Privatsammlung Denzlingen.
Werkverzeichnis: Michler/Löpsinger