.
Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
Results of your search
Matches:
30/247 back 
| overview 
| continue 
| send e-mail 
| Survey of the artists
 Image under artist's copyright. |
2100
Jubiläumsauktionen 06.–07.12.2019
Hofschen, Edgar
1941 Tapiau - 2016 Wuppertal.
«Sichtweisen (perspectives)».
Portfolio consisting of seven mixed media on wove paper, mounted under passepartout, and three silver gelatin prints on Agfa baryta paper, also mounted under passepartout, in original half-linen folder. Mixed media each signed lower middle and dated (19)81 respectively (19)79. Photographs unsigned. The inner cover of the folder signed again, titled and dated (19)81. On the inside a mounted personal dedication to the collector.
H 24 respectively 29,6, W 18 respectively 21 cm (sheets),
H 49,5, W 39,5 cm (portfolio).
During his creative period, Hofschen repeatedly occupied himself with the relationship between surfaces, their connections through seams, and the tensions they created. This portfolio contains seven mixed media on this issue and three black-and-white photographs on the subject of surfaces in architecture.
Provenance: purchased directly from the artist; since then private collection Frankfurt a.M. 
Hofschen, Edgar
1941 Tapiau - 2016 Wuppertal.
«Sichtweisen».
Portfolio, bestehend aus sieben Mischtechniken auf Velin, unter Passepartout montiert, sowie drei Silbergelatineabzüge auf Agfa-Barytpapier, ebenfalls unter Passepartout montiert, in originaler Halbleinenmappe. Mischtechniken jeweils Mitte u. sign. und (19)81 bzw. (19)79 dat. Photographien unsign. Die Mappe im Innendeckel nochmals sign., bet. und (19)81 dat. Im Innenteil montierte persönliche Widmung an den Sammler.
H. 24 bzw. 29,6,
H. 49,5,
Das Verhältnis von Flächen, deren Verbindungen durch Nähte und die daraus entstehenden Spannungen beschäftigen Hofschen während seiner Schaffensphase immer wieder. Das vorliegende Mappenwerk beinhaltet sieben Mischtechniken zu dieser Thematik und drei Schwarz-Weiß Photographien zum Thema Flächen in der Architektur.
Provenienz: erworben direkt beim Künstler; seitdem Privatsammlung Frankfurt a.M.