.
Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
Results of your search
Matches:
4/411 back 
| overview 
| continue 
| send e-mail 
| Survey of the artists
 |
3217
Winterauktionen 20.–21.11.2020
Algardi, Alessandro after
1598 Bologna - 1654 Rome.
The flight of Attila.
Oil on canvas, relined. Unsigned. Restored.
H 168,
The Baroque master who created this painting followed an extremely popular and often copied model, the monumental relief by Alessandro Algardi in St. Peter's Basilica in Rome, which depicts the meeting of Pope Leo the Great with the Hun king Attila at the gates of Mantua in 452. With the help of the Princes of the Apostles Peter and Paul, who, according to legend, drew their swords in the clouds, the Pope is said to have put the attacker to flight, thus securing the future of Rome and Christianity. Through the mediation of graphic reproductions, Algardi's sculptural creation spread throughout Baroque Europe and was also received in painted form.
Provenance: Heinrich Pohlmann (1839 - 1917), German sculptor, and successors.
Exhibition: on loan to Bürgeln castle, Schliengen, 28.02.1999 - 08.05.2020. 
Algardi, Alessandro nach
1598 Bologna - 1654 Rom.
Die Vertreibung Attilas.
Öl auf Leinwand, doubliert. Unsign. Altrest.
H.
Der barocke Meister, der dieses Gemälde schuf, eiferte einem äußerst beliebten und oft kopierten Vorbild nach, dem monumentalen Relief Alessandro Algardis im Petersdom in Rom, das die Begegnung Papst Leos des Großen mit dem Hunnenkönig Attila vor den Toren Mantuas im Jahre 452 darstellt. Mit der Hilfe der Apostelfürsten Petrus und Paulus, die der Legende nach in den Wolken ihre Schwerter zückten, soll der Papst den Angreifer in die Flucht geschlagen haben und damit die Zukunft Roms und des Christentums gesichert haben. Durch die Vermittlung druckgrafischer Reproduktionen verbreitete sich Algardis bildhauerische Schöpfung im barocken Europa und wurde auch in gemalter Form rezipiert.
Provenienz: Heinrich Pohlmann (1839 - 1917), deutscher Bildhauer, und Nachfolge.
Ausstellung: Leihgabe Schloss Bürgeln, Schliengen, 28.02.1999 - 08.05.2020.