.
Karl Hauptmann
«The Feldberg Painter»
24th April 1880 – 7th April 1947
Karl Hauptmann was born on 25th of April in 1880 in Freiburg i.Br., Germany. He received his artistic training in Nürnberg and Munich and was thereafter engaged as a decorative painter.
In 1908 he produced the first of what were to be his typical Black Forest paintings. In the years between 1915 and 1919, he produced numerous images of the Alpine region he had visited during his deployment with the mountain infantry in the First World War.
In 1918 Karl Hauptmann purchased «Molerhüsli», which for him encompassed his dwelling, atelier, and exhibition space. It soon became a favourite meeting place for skiers, hikers, students, and visitors to Feldberg.
Due to Hauptmann’s ever-present health problems, his doctor prescribed a trip to Italy in 1940, to which he again travelled the following year.
On 7th of April in 1947, Karl Hauptmann died at the age of 67 at his «Molerhüsli».
Lit.: Exhibition Catalogue, Feldberg, 1993.
Karl Hauptmann
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2162
Winterauktionen 20.–21.11.2020
Burchard, Hartwig
1920 Berlin - 2014 São Paulo.
Untitled. Composition in green, blue and yellow.
Lithograph in colours on paper. Signed lower right and dated (19)78. Numbered 54/100 lower left.
H 105,
Hartwig Burchard's creative centre was mainly Brazil, where he founded the Atelier 18 in Paraty in 1998. An exhibition of Burchard's work in São Paulo 1979 focused on the Brazilian world of flowers and plants, to which this work belongs.
Authentication: We would like to thank Mrs Veronica Stigger, curator, São Paulo, for the scientific consultation via 
Burchard, Hartwig
1920 Berlin - 2014 São Paulo.
Ohne Titel. Komposition in Grün, Blau und Gelb.
Farblithographie auf Papier. U.r. sign. und (19)78 dat. U.l. 54/100 num.
H.
Hartwig Burchards Schaffenszentrum war vor allem Brasilien, wo er 1998 das Atelier 18 in Paraty gründete. Eine Ausstellung Burchards in São Paulo 1979 thematisierte die brasilianische Blumen- und Pflanzenwelt, dem dieses Werk zuzuordnen ist.
Authentifizierung: Wir danken Frau Veronica Stigger, Kuratorin, São Paulo, für die wissenschaftliche Beratung via