© 2004-2024 Auktionshaus Kaupp GmbH   Impressum   Datenschutzerklärung E-Mail            Telefon +49 (0) 76 34 / 50 38 0

Karl Hauptmann

«The Feldberg Painter»
24th April 1880 – 7th April 1947

Karl Hauptmann was born on 25th of April in 1880 in Freiburg i.Br., Germany. He received his artistic training in Nürnberg and Munich and was thereafter engaged as a decorative painter.

In 1908 he produced the first of what were to be his typical Black Forest paintings. In the years between 1915 and 1919, he produced numerous images of the Alpine region he had visited during his deployment with the mountain infantry in the First World War.

In 1918 Karl Hauptmann purchased «Molerhüsli», which for him encompassed his dwelling, atelier, and exhibition space. It soon became a favourite meeting place for skiers, hikers, students, and visitors to Feldberg.

Due to Hauptmann’s ever-present health problems, his doctor prescribed a trip to Italy in 1940, to which he again travelled the following year.

On 7th of April in 1947, Karl Hauptmann died at the age of 67 at his «Molerhüsli».


Lit.: Exhibition Catalogue, Feldberg, 1993.

Karl Hauptmann

Results of your search

Matches: 2/19 back Navigation left | overview Navigation top | continue Navigation right | send e-mail email | Survey of the artists  

lotimage

popup

3522
Herbstauktionen 19.–20.10.2018
Werner, Anton Alexander von
1843 Frankfurt a.d.O. - 1915 Berlin.
«König Karl v. Würtemberg (King Charles of Württemberg)». Pencil on wove paper, with tear-off edge at the upper margin. Monogrammed lower right and dated «Versailles 1871». Titled lower left and badly legible inscribed «Siebr(...)» upper right. Light-stained, creasing.
H 34,7, W 24,1 cm (sheet). Unframed.
Study of the Proclamation of the German Empire, taking place in Versailles 1871. Werner painted four variants of this event, whereas three paintings unfortunately got lost during the World War II. Only the variation for Otto von Bismarck in Friedrichsruh is preserved. For Werner, this painting meant the rise up to be one of the most important painters in the German Empire.
Provenance: South German noble house.
Literature: Thomas W. Gaehtgens, Anton von Werner. Die Proklamierung des Deutschen Kaiserreichs: Ein Historienbild im Wandel preußischer Politik, Frankfurt a.M. 1990, ill. 3 as well as picture board at the back (cf.).

deutsch 1843 Frankfurt a.d.O. - 1915 Berlin.
«König Karl v. Würtemberg». Bleistift auf Velin, am oberen Rand mit Abreißkante. U.r. monogr. und «Versailles 1871» dat. U.l. bet. und o.r. schlecht leserlich bez. «Siebr(...)». Lichtrandig, Knick.
H. 34,7, B. 24,1 cm (Blattgröße). Ungerahmt.
Studie zur Proklamierung des Deutschen Kaiserreichs, die 1871 in Versailles stattfand. Werner malte vier Varianten dieses Ereignisses, wobei drei der Gemälde leider unter den Wirren des Zweiten Weltkrieges verloren gingen. Einzig die Fassung für Otto von Bismarck in Friedrichsruh ist erhalten. Für Werner bedeutete das Gemälde den Aufstieg zu einem der einflussreichsten Maler im Kaiserreich.
Provenienz: Süddeutsches Adelshaus.
Literatur: Thomas W. Gaehtgens, Anton von Werner. Die Proklamierung des Deutschen Kaiserreichs: Ein Historienbild im Wandel preußischer Politik, Frankfurt a.M. 1990, Abb. 3 sowie Bildtafel hinten (vgl.).
 

hammer price: 300,- EUR
(starting price: 300,- EUR)