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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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3150
Jubiläumsauktionen 06.–07.12.2019
Denner, Balthasar
1685 Hamburg - 1749 Rostock.
Half-length portrait of a lady.
Oil on copper, in lockable inlaid wooden box. Unsigned. Verso of the wooden box an old exhibition label of the Museum für Hamburgische Geschichte, Hamburg, as well as another handwritten label, each with the artist's and work's data and the owner's note «Frl. Helene Gaedeckens».
H 25, W 19 cm (frame),
H 34, W 27,5, D 4,5 cm (box).
Original key on chain.
«Denner used to commission neat, lockable boxes of pear wood, burl wood or other fine wood to protect his paintings from the effects of air and sun.» from: Ausschuss des Vereins für Hamburgische Geschichte (Ed.), Hamburgisches Künstler-Lexikon, Vol. 1, Hamburg 1854, p. 50.
Provenance: private possesion Hamburg; Lempertz, Cologne, auction 632/3, 17.-19.11.1988, lot 133; since then private collection Cologne and Markgräflerland.
Invoice: Lempertz, Cologne, 17.-19.11.1988, invoice amount 5414 DM (circa 2768 €), in copy.
Exhibition: Hamburger Bildnisse, Hamburg, Museum für Hamburgische Geschichte, 1935.

deutsch Denner, Balthasar
1685 Hamburg - 1749 Rostock.
Halbporträt einer Dame.
Öl auf Kupfer, in abschließbarem intarsiertem Holzkästchen. Unsign. Verso auf dem Holzkästchen ein altes Ausstellungsetikett des Museums für Hamburgische Geschichte, Hamburg, sowie ein weiteres handschriftliches Etikett, jeweils mit den Angaben zu Künstler und Werk sowie Besitzervermerk «Frl. Helene Gaedeckens».
H. 25, B. 19 cm (Rahmenausschnitt),
H. 34, B. 27,5, T. 4,5 cm (Kästchen).
Originalschlüssel an Kette.
«Zu seinen ausgeführten Bildern pflegte Denner saubere verschließbare Kästchen von Birnbaum-, Masern- oder anderem feinem Holze machen zu lassen, um sie vor der Einwirkung der Luft und Sonne zu bewahren.» aus: Ausschuss des Vereins für Hamburgische Geschichte (Hrsg.), Hamburgisches Künstler-Lexikon, Bd. 1, Hamburg 1854, S. 50.
Provenienz: Privatbesitz Hamburg; Lempertz, Köln, Auktion 632/3, 17.-19.11.1988, Los 133; seitdem Privatsammlung Köln und Markgräflerland.
Rechnung: Lempertz, Köln, 17.-19.11.1988, Rechnungsbetrag 5414 DM (ca. 2768 €), in Kopie.
Ausstellung: Hamburger Bildnisse, Hamburg, Museum für Hamburgische Geschichte, 1935.
 

hammer price: 3000,- EUR
(starting price: 2700,- EUR)