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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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 Image under artist's copyright.

2242
Frühjahrsauktionen 14.–16.06.2012
Kremer, Alfred
1895 Regensburg - 1965 Weilheim.
E Collection of drawings. Eight pieces. Comprising «Mano», verso signed, 19.XI.1963 dated and titled; «o.T.», 1962, verso signed and estate stamp, blindstamp lower right; «Kind im Leib der Palme (Geburt)», verso signed and dated 16.X.1962 twice and titled; «Contergan-Kind aus Lüttich», verso further drawing, signed twice, titled and dated 06.XI.1963, blindstamp lower left; «Der Engel verweigert das Gefäß der Wahrheit», blindstamp lower right, verso signed twice and dated 01.XI. 1962 and titled in ball pen; «Anbetung auf Golgatha - durch hysterische Weiber», verso signed and dated 21.XI. 1962 in ball pen; «Die Menschheit steckt ihren Kopf in den Atomstaub», verso signed twice, dated 23.07.1962 and titled in ball pen; untitled, verso further drawing and signed and dated 20.XI.1962 twice. Partially minor discolouration. Mainly verso on frame label «Galerie Van Der Loo, München». Passepartouts. Provenance: private collection Baden-Baden.

deutsch 1895 Regensburg - 1965 Weilheim.
Konvolut Zeichnungen. 8-tlg. Bestehend aus «Mano», verso sign., 19.XI.1963 dat. und bet.; «o.T.», 1962, verso sign. und Nachlassstempel, u.r. Prägestempel; «Kind im Leib der Palme (Geburt)», verso zweifach sign., 16.X.1962 dat. und bet.; «Contergan-Kind aus Lüttich», verso weitere Zeichnung, zweifach sign., bet. und 06.XI.1963 dat., u.l. Prägestempel; «Der Engel verweigert das Gefäß der Wahrheit», u.r. Prägestempel, verso zweifach mit Kugelschreiber sign. und 01.XI. 1962 dat., bet.; «Anbetung auf Golgatha - durch hysterische Weiber», verso zweifach sign. und 21.XI. 1962 dat.; «Die Menschheit steckt ihren Kopf in den Atomstaub», verso zweifach sign., 23.07.1962 dat. und bet.; o.T., verso weitere Zeichnung sowie zweifach sign. und 20.XI.1962 dat. Teilweise min. gebräunt. Überwiegend verso auf Rahmen Etikett «Galerie Van Der Loo, München». H. 13,6 bis 24,9, B. 13,2 bis 22,4 cm (Blattgröße). Passepartouts.
Provenienz: Privatsammlung Baden-Baden.
 

hammer price: 4000,- EUR
(starting price: 4000,- EUR)