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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2214
Winterauktionen 20.–21.11.2020
Wilding, Ludwig
1927 Grünstadt - 2010 Buchholz.
«Single PS 7b». Lauf Objekt.
Serigraph on acrylic glass in front of a serigraph on cardboard with collage on masonite, in wooden object box. Verso signed, titled and dated 1971 on the artist's original label. Verso a label of the Galerie de Rijk Fine Art, Den Haag, with the work's data. Object box with slight signs of use.
H 80,
Unique work from the series PS (Prinzip Seriell (principle serial imagery)). A series of nine models (1 - 9), each with four variations (a - d).
«Ludwig Wilding's so-called Laufobjekte differ from pictures with geometric and coloured constructions in the field of perceptual art, optical art, externally by the superimposition of linear structures which are assembled through two spaced layers. The front transparent surface is the carrier of a periodic linear structure; the rear surface, on the other hand, is a compositionally interrupted system of circles, concentric or in a row, of squares, rectangles and stripes, grids of lines with different angles of inclination.» from: Kunstmuseum Düsseldorf (Ed.), Prinzip Seriell, Lauf Objekte, Düsseldorf 1971.
The model PS 7 is characterized by squares with vertically directed parallels on a vertical parallel grid. Variation b contains 16 squares arranged at 9° or 171° angles on the rear surface.
We would like to thank Mrs Ingeborg Wilding-König, Buchholz, for the kind remarks via
Provenance: Galerie de Rijk Fine Art, Den Haag; Louiza, Brussels, 27.10.2012, lot 150; since then private possession South Germany.
Exhibition: Prinzip Seriell, Düsseldorf, Kunstmuseum Düsseldorf, 10.12.1971 - 30.01.1972.
Literature: Friedrich W. Heckmanns, Prinzip Seriell, Lauf Objekte, Düsseldorf 1971. 
Wilding, Ludwig
1927 Grünstadt - 2010 Buchholz.
«Single PS 7b». Lauf Objekt.
Serigraphie auf Acrylglas vor Serigraphie auf Karton mit Collage auf Hartfaser, in Holzobjektkasten. Verso auf einem Originaletikett des Künstlers sign., bet. und 1971 dat. Verso ein Etikett der Galerie de Rijk Fine Art, Den Haag, mit den Angaben zum Werk. Objektkasten mit leichten Handhabungsspuren.
H.
Unikat aus der Serie PS (Prinzip Seriell). Eine Folge von neun Modellen (1 - 9) zu je vier Variationen (a - d).
«Die sogenannten Laufobjekte von Ludwig Wilding unterscheiden sich von Bildern mit geometrischen und farbigen Konstruktionen im Bereich der wahrnehmungsbezogenen Kunst, der optical art, äußerlich dadurch, daß die Überlagerung linearer Strukturen hier durch zwei abständige Ebenen erfolgt. Dabei ist die vordere durchsichtige Fläche Träger einer periodischen linearen Struktur; auf der hinteren Fläche hingegen ist ein als Komposition unterbrochenes System angebracht von Kreisformen, konzentrisch oder gereiht, von Quadraten, Rechtecken und Streifen, Linienrastern von unterschiedlichem Neigungswinkel.» aus: Kunstmuseum Düsseldorf (Hrsg.), Prinzip Seriell, Lauf Objekte, Düsseldorf 1971.
Das Modell PS 7 zeichnet sich durch Quadrate mit vertikal gerichteten Parallelen auf einem senkrechten Parallelraster aus. Die Variation b enthält 16 Quadrate, die in 9° bzw. 171° Winkel auf der hinteren Fläche angebracht sind.
Wir danken Frau Ingeborg Wilding-König, Buchholz, für die freundlichen Hinweise via
Provenienz: Galerie de Rijk Fine Art, Den Haag; Louiza, Brüssel, 27.10.2012, Los 150; seitdem Privatbesitz Süddeutschland.
Ausstellung: Prinzip Seriell, Düsseldorf, Kunstmuseum Düsseldorf, 10.12.1971 - 30.01.1972.
Literatur: Friedrich W. Heckmanns, Prinzip Seriell, Lauf Objekte, Düsseldorf 1971.