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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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5346
Herbstauktionen 06.–08.12.2012
Eberlein, Gustav Heinrich
1847 Spiekershausen - 1926 Berlin.
Coy girl. Carrara marble. Signed to base, marked «ROM» and dated 1904. This is a unique piece by the artist. Literature: Ute Hoffmann, Gustav H. Eberlein - Werke des Bildhauers, Malers und Dichters im Raum Münden - Göttingen, Hann. Münden 1984, p. 38 - 39 (cf.). Provenance: Max Grundig auction, Baden-Baden, 1985; since then South German private collection. Please note that the transport has to be executed by a specialised shipper.
1847 Spiekershausen - 1926 Berlin.
Verschämtes Mädchen. Carrara-Marmor. Auf gestuftem Sockel, eine schöne junge Frau sich leicht an einen Baumstumpf lehnend, die Hände gefaltet haltend und schüchtern den Blick senkend. Auf Sockel sign., bez. «ROM» und 1904 dat. H. (mit Sockel) 240, B. 60 cm.
Nachdem sich Gustav Eberlein bereits Ende des 19. Jahrhunderts mehrfach mit der Figur der Psyche in seinen Skulpturen beschäftigt hatte, kehrte er nach 1900 zu dem Thema zurück. Allerdings verzichtete er nun auf die Darstellung der für die Psyche typischen Flügel und gab der Figur damit einen allgemeingültigen Charakter. Bei dieser beeindruckenden Ausführung der Figur handelt es sich um ein Unikat des Künstlers.
Literatur: Ute Hoffmann, Gustav H. Eberlein - Werke des Bildhauers, Malers und Dichters im Raum Münden - Göttingen, Hann. Münden 1984, S. 38 - 39 (vgl.).
Provenienz: Auktion Max Grundig, Baden-Baden, 1985; seitdem süddeutsche Privatsammlung.
Bitte beachten Sie, dass der Transport nur durch eine Fachspedition erfolgen kann.