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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2006
Herbstauktionen 19.–20.10.2018
Brockhusen, Theo von
1882 Marggrabowa - 1919 Berlin.
«Gardone VII». Circa 1913. Oil on canvas. Unsigned. Verso on the stretcher a label, thereon handwritten inscribed «Brockhusen», titled and numbered «B 134» as well as two old labels of Gallery Ferdinand Möller, Cologne, thereon titled and inscribed.
H 81, W 100,5 cm.
The Oeuvre of the Prussian painter ranges ambivalently between Impressionism and Expressionism, making use of an intense colour which condenses especially in his landscape views.
Authentication: We would like to thank Mrs Claudia Böckel, Regensburg, author of the catalogue raisonné of Theo von Brockhusen, for the scientific advice via
«Brockhusen had won the Villa Romana Prize in 1913 and passed six months in Florence with his wife. On their way, they stopped in Gardone at Lake Garda. The view seems to be the view from his hotel room. [...] The Gallery Möller represented the work of Brockhusen». (Claudia Böckel, Regensburg, 03.08.2018).
Provenance: private collection South Germany. 
1882 Marggrabowa - 1919 Berlin.
«Gardone VII». Um 1913. Öl auf Leinwand. Unsign. Verso auf dem Keilrahmen auf einem Etikett handschriftlich bez. «Brockhusen», bet. und «B 134» num. sowie auf zwei Etiketten der Galerie Ferdinand Möller, Köln, bet. und bez.
H.
Das Œuvre des preußischen Malers bewegt sich ambivalent zwischen Impressionismus und Expressionismus; seine intensive Farbigkeit schlägt sich vor allem in den Landschaftsausblicken nieder.
Authentifizierung: Wir danken Frau Claudia Böckel, Regensburg, Verfasserin des Werkverzeichnisses von Theo von Brockhusen, für die wissenschaftliche Beratung via
«Brockhusen war 1913 Preisträger des Villa Romana Preises und verbrachte ein halbes Jahr mit seiner Frau zusammen in Florenz. Auf dem Weg dahin machten sie in Gardone am Gardasee Station. Der Blick scheint der Blick aus dem Hotelzimmer gewesen zu sein. [...] Die Galerie Ferdinand Möller vertrat Brockhusens Werk.» (Claudia Böckel, Regensburg, 03.08.2018).
Provenienz: Privatsammlung Süddeutschland.