.
Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
Results of your search
Matches:
1/1 overview 
| send e-mail 
| Survey of the artists
 Image under artist's copyright. |
3191
Winterauktionen 24.–25.11.2023
Roux, Isabelle
Born 1954 Neuilly-sur-Seine, lives and works in Pierrefitte-Nestalas.
«Sculpture. Très grande coupe noire à faces gravées».
Earthenware, clay from Saint-Amand-en-Puisaye, enamelled with cobalt oxide and fern ash. Bowl with flower-shaped faceted and engraved wall. Signed on the base, dated 2001 and numbered «XIII».
H 26, Diam.
Isabelle Roux's work takes ceramics to the limits of the possible. BIG is what her works were meant to be, which is why it quickly became apparent that working on the potter's wheel was constricting her artistic will. Therefore, since the early 1990s, Isabelle Roux has been building up her works in fine strips, layer by layer. In the process, she creates wafer-thin objects that interpret the material earthenware to the extreme. Together with their knife-engraved surface, they stand for the typical style of Isabelle Roux.
Authentication: We would like to thank the artist for the authentication via
Provenance: purchased at Galerie Schürli, Schliengen, in 2003; since then private collection Dreiländereck.
Invoice: Galerie Schürli, Schliengen, 20.07.2003, invoice amount
Condition report 