Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
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2274
Herbstauktionen 04.–05.10.2013
Vogel, Peter
Geb. 1937
«Schattenklavier II - Harmonie (shadow piano II - harmony)». Electrified sculpture, phototubes, loudspeakers. Working order. Authentication: Peter Vogel, via
Geb. 1937
«Schattenklavier II - Harmonie». Elektrische Drahtplastik, Photozellen, Lautsprecher. 1985. Funktionstüchtig.
Der Titel «Schattenklavier» beruht auf der Eigenschaft, dass der Betrachter durch Schattenwurf auf eine oder mehrere der sieben Photozellen Töne auslösen kann. Die Photozellen sind horizontal wie die Tasten eines Klaviers angeordnet, und beim Beschatten einer Zelle erklingt ein einzelner Ton. Damit die Beschattung eindeutig und sichtbar ist, muss das Objekt von der Betrachterseite her beleuchtet werden, z.B. durch einen Spot an der Decke oder ein Fenster mit Tageslicht. Der Zusatztitel «Harmonie» verweist auf den Zusammenklang der einzelnen Töne. Die sieben Töne werden über fünf unterschiedlich große Lautsprecher wiedergegeben.
Echtheitsbestätigung: Peter Vogel, via
Provenienz: Privatsammlung Südwestdeutschland.