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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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3266
Frühjahrsauktionen
Hiroshige, Utagawa
1797 Edo - 1858 ebd.
Leporello with ten oban yoko-e from the series «Kyoto meisho no uchi (The famous places of Kyoto)». Woodcut in colours on cardboard. Comprising the following woodcuts «Arashiyama manka (Cherry blossoms in full bloom at Arashiyama)», «Shimabara deguchi no yanagi (The willow tree at the gate of Shimabara)», «Kiyomizu (Cherry blossoms at Kiyomizu temple)», «Tadasugawara yudachi (Shower at Tadasugawara)», «Shijogawara yusuzumi (Enjoying the cool of the evening along the river at Shijo), «Yodo-gawa (Passengers on a boat at the Yodo river)», «Tsutenkyo no beni kaede (Maple trees at Tsuten bridge)», «Kinkakuji», «Gionsha Setchu (The Gion shrine in snow)», «Yase no sato (At Yase village)». All woodcuts inscribed. Text along the margins. Signs of age.
1797 Edo - 1858 ebd.
Leporello mit zehn Oban yoko-e aus der Serie «Kyoto meisho no uchi (Die berühmten Ansichten von Kyoto)». Farbholzschnitt auf Pappe. Bestehend aus den folgenden Holzschnitten «Arashiyama manka (Kirschbaumblüte am Arashiyama)», «Shimabara deguchi no yanagi (Der Weidenbaum am Tor von Shimabara)», «Kiyomizu (Kirschblüte am Kiyomizu-Tempel)», «Tadasugawara yudachi (Regenschauer am Tadasugawara)», «Shijogawara yusuzumi (Abendbrise am Fluss bei Shijo)», «Yodo-gawa (Passagiere auf einem Boot auf dem Yodo-Fluss)», «Tsutenkyo no beni kaede (Ahornbäume an der Tsuten-Brücke)», «Kinkakuji», «Gionsha Setchu (Der Gion-Schrein im Schnee)», «Yase no sato (Beim Yase-Dorf)». Alle Holzschnitte bez. In den Randbereichen Schriftfelder. Altersspuren.