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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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Herbstauktionen
Konvolut Künstlerbücher und Zeitschriften
Collection of artbooks and magazines. Nine pieces. Comprising «Piero Manzoni 1933 - 1963», Van Abbemuseum, Eindhoven 1969, with artificial fur cover. «Egoist 11», Collection Ursula Lichter, Frankfurt a.M. 1967, with a original serigraph by Jef Verheyen, verso signature stamp and dated (19)67 «Tentoonstelling nul», Stedelijk Museum Amsterdam 1962, multiply signed. «Revue Nul = 0», Nr. 3, edited by Herman de Vries, Arnhem, with one collage, verso signed in pencil, and two paper works «Relief» and «Reflektion» by Herman de Vries. «Revue Nul = 0», Nr. 4, edited by Herman de Vries, Arnhem, with a paper work by Hans Bischoffshausen, unsigned, a pushcard «random objectivation» by Herman de Vries and the serigraph «Serigraphia 1964» by Antonio Calderara unsigned, verso inscribed. «Revue Nul = 0 - Main droite de Manzoni», edited by Herman de Vries, Arnhem. «Dé-coll/age 6 - Bulletin der Fluxus und Happening Avantgarde», edited by Wolf Vostell, Köln 1967, with drawing by Dieter Roth. «Matta», Kunstmuseum Luzern 1965. «Double Vue - A Bury et a van Hoeydonck», Hessenhuis, Antwerp, with paper works and one serigraph, each unsigned. Provenance: private collection.
9-tlg. Bestehend aus «Piero Manzoni 1933 - 1963», Van Abbemuseum, Eindhoven 1969, mit Kunstfellumschlag. «Egoist 11», Collection Ursula Lichter, Frankfurt a.M. 1967, mit einer Originalserigraphie von Jef Verheyen, verso Signaturstempel, (19)67 dat. «Tentoonstelling nul», Stedelijk Museum Amsterdam 1962, mehrfach von verschiedenen Händen sign. «Revue Nul = 0», Nr. 3, Redaktion Herman de Vries, Arnhem, mit einer Collage, verso mit Bleistift sign., und den Papierarbeiten «Relief» und «Reflektion» von Herman de Vries. «Revue Nul = 0», Nr. 4, Redaktion Herman de Vries, Arnhem, mit einer Papierarbeit von Hans Bischoffshausen, unsign., der Lochkarte «random objectivation» von Herman de Vries sowie der Serigraphie «Serigraphia 1964» von Antonio Calderara unsign., verso bez. «Revue Nul = 0 - Main droite de Manzoni», Redaktion Herman de Vries, Arnhem. «Dé-coll/age 6 - Bulletin der Fluxus und Happening Avantgarde», herausgegeben von Wolf Vostell, Köln 1967, mit Strichzeichnung von Dieter Roth. «Matta», Kunstmuseum Luzern 1965. «Double Vue - A Bury et a van Hoeydonck», Hessenhuis, Antwerp o.J., mit Papierarbeiten und einer Serigraphie, jeweils unsign.
Provenienz: Privatsammlung.