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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2203
Herbstauktionen 19.–20.10.2018
Ray, Man
1890 Philadelphia - 1976 Paris.
«Rayograph». Silver gelatin print on Agfa baryta paper, mounted on backing cardboard at the upper margin. Verso signed and dated 1922/78 by the editor as well as with the artist's stamp, the stamp «rayograph» and the stamp «einmalige, vom kuenstler autorisierte auflage fuer die griffelkunst». Verso on the backing cardboard another Griffelkunst stamp.
H 29,6, W 22,5 cm (sheet). Unframed.
Example from a series of three reproduction negatives, published posthumously 1978 in an edition by Griffelkunst-Vereinigung Hamburg e.V. Edited by Johannes Schubert.
Edition index: Griffelkunst 212 A6. 
1890 Philadelphia - 1976 Paris.
«Rayograph». Silbergelatineabzug auf Agfa-Barytpapier, am oberen Rand auf Unterlagekarton montiert. Verso vom Herausgeber sign. und 1922/78 dat. sowie mit dem Künstlerstempel, dem Stempel «rayograph» und dem Stempel «einmalige, vom kuenstler autorisierte auflage fuer die griffelkunst» versehen. Verso auf dem Unterlagekarton ein weiterer Stempel der Griffelkunst.
H. 29,6,
Exemplar aus einer Folge von drei Reproduktionsnegativen, postum erschienen 1978 in einer Edition der Griffelkunst-Vereinigung Hamburg e.V. Herausgegeben von Johannes Schubert.
Editionsverzeichnis: Griffelkunst 212 A6.