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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2052
Winterauktionen 25.–26.11.2022
Antes, Horst
Born 1936 Heppenheim, lives and works in Karlsruhe, Castellina and Berlin.
«Figur 1000 (figure 1000)».
1987. Corten steel with engraved drawing and natural rust patina, welded on base. Signed no longer visible on the base and numbered 942/1000.
H 220,
Work from an edition of 1000 signed and numbered copies. Published by Edition Volker Huber, Offenbach a.M. Manufactured by Laura, Eygelshoven a.o.
Horst Antes' sculptural œuvre is based on the formal language developed in his paintings. The so-called Kopffüßler (cephalopod) is the undisputed protagonist, which emerges as a sculpture from the flat picture into the open space and can be monumentalised consequently. The signature and number on the base are deliberately meant to disappear over time through the corrosive process of the material on the surface, whereby the sculpture eventually bears witness to itself.
Certificate: Volker Huber, Edition und Galerie, Offenbach a.M., 10.08.2022, numbered 942/1000.
Exhibition: Horst Antes, Auflagen, Passau, Museum Moderner Kunst, Salzburg, Rupertinum, Kulturhaus der Stadt Graz, February 1997 to February 1998, (cf.).
Literature: Museum Moderner Kunst Passau and Salzburger Landessammlung (Ed.), Horst Antes, Auflagen, Passau/Salzburg 1997,
Catalogue raisonné: not mentioned by Stiebner.
Condition report 
starting price: 6500,- EUR