.
Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
Results of your search
Matches:
3/5 back 
| overview 
| continue 
| send e-mail 
| Survey of the artists
 Image under artist's copyright. |
1288
Herbstauktionen
Morandini, Marcello
Born 1940 Mantua.
«Design numero 7» and «Morandini XXXIV Biennale di Venezia». Two prints. First print with inscription «Design numero 7: Marcello Morandini, Proposta grafica per carte da gioco, scala 1/1,5 1967, ED. 912 Edizione di cultura contemporanea [...] Printing: 500» and «ED.912 No. 507» as well as signed lower left in pencil. Second print with inscription upper middle. «Morandini XXXIV Biennale di Venezia» and signed lower right in ball pen. Unframed. Provenance: private collection.
Geb. 1940 Mantua.
«Design numero 7» und «Morandini XXXIV Biennale di Venezia». Zwei Drucke. Geometrische Kompositionen in Schwarz und Weiß. Erstes Blatt u.l. mehrfach bez. «Design numero 7: Marcello Morandini, Proposta grafica per carte da gioco, scala 1/1,5 1967, ED. 912 Edizione di cultura contemporanea [...] Printing: 500» sowie «ED.912 No. 507» und mit Bleistift u.l. sign. Zweites Blatt o. Mitte bez. «Morandini XXXIV Biennale di Venezia» sowie mit Kugelschreiber u.r. sign. H. 46,3, B. 44,1 cm (Darstellung), H. 70, B. 49,9 cm (Blattgröße) bzw. H. 59,7, B. 40 cm (Darstellung und Blattgröße). Ungerahmt.
Provenienz: Privatsammlung.