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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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3326
Herbstauktionen 23.–24.09.2016
Thoma, Hans
1839 Bernau - 1924 Karlsruhe.
«Märchenerzählerin (story teller)». Circa 1893. Oil over tachography on wove paper, mounted on aluminium. Monogrammed lower right. Verso numbered «819/2.» on a handwritten label. Verso on the frame numbered «79» on an old printed label. Restored.
Enclosed a letter from Dr. Werner Zimmermann, Staatliche Kunsthalle Karlsruhe, dated 1984, with a short description of the work and an evaluation of the painting's insurance value.
Hans Thoma experimented with the technique of tachography several times, which he used to reproduct his paintings in small numbers. Unfortunately, just very few of these items have been preserved. The present work is an exceptional example, as it has been completely overpainted in oil by the artist.
Verbal authentication: We would like to thank Dr. Rudolf Theilmann, Karlsruhe, expert for Hans Thoma, for the verbal authentication, based on photos, 22.04.2016.
Provenance: private collection Bad Säckingen.
Literature: Henry Thode (Ed.), Klassiker der Kunst,
Catalogue raisonné: Beringer Griffelkunst 30.
1839 Bernau - 1924 Karlsruhe.
«Märchenerzählerin». Um 1893. Öl über Tachographie auf Velin, auf Aluminium kaschiert. U.r. monogr. Verso auf einem handschriftlichen Etikett «819/2.» num. Verso auf dem Rahmen auf einem alten gedruckten Etikett «79» num. Altrest.
H. 38,7,
Anbei ein Schreiben von Dr. Werner Zimmermann, Staatliche Kunsthalle Karlsruhe, aus dem Jahr 1984 mit einer kurzen Beschreibung und einer Einschätzung des Versicherungswertes des Werkes.
Hans Thoma experimentierte einige Male mit der Technik der Tachographie, die er zur Reproduktion seiner Gemälde in geringer Anzahl verwendete. Bedauerlicherweise sind nur wenige Exemplare erhalten geblieben. Das vorliegende Werk nimmt durch die vom Künstler händisch durchgeführte Überarbeitung der gesamten Bildfläche in Öl einen besonderen Stellenwert ein.
Mündliche Echtheitsbestätigung: Wir danken Herrn Dr. Rudolf Theilmann, Karlsruhe, Experte für Hans Thoma, für die mündliche Bestätigung der Echtheit, anhand von Photos, 22.04.2016.
Provenienz: Privatsammlung Bad Säckingen.
Literatur: Henry Thode (Hrsg.), Klassiker der Kunst,
Werkverzeichnis: Beringer Griffelkunst 30.