.
Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
Results of your search
Matches:
21/113 back 
| overview 
| continue 
| send e-mail 
| Survey of the artists
 |
3267
Winterauktionen 19.–20.11.2021
Keller, Ferdinand
1842 Karlsruhe - 1922 Baden-Baden.
Baroque portal and cypresses on a Mediterranean shore.
Oil on canvas. Signed lower left and dated 1898. Verso on a label handwritten numbered «13».
H 124,
An ethereal female figure, cloaked like an antique column, pensive and deeply immersed in unfathomable thoughts, stands, as if sprung from the shadowy realm of a Homeric heroic epic, at the mysterious, cypress-covered bay of a dimly abysmal lyrical fantasy landscape, a place where time seems to stand still.
This almost otherworldly, ghostly dream world, idealised to elegant aloofness, springs from the dark, diffuse light and intoxicating, sultry musky haze of the sophisticated salon world of the late
In his later work, Ferdinand Keller abandoned the opulently staged heroism and pompous character of his history painting. Instead he devoted himself to an examination of his contemporary model, the symbolist painter Arnold Böcklin, who inspired him to create transcendent dream visions of a Mediterranean-antique character with a sombre, occult quality. Above all, Böcklin's most influential and enduringly successful pictorial invention, «The Isle of the Dead», an incunabulum of the late Romantic longing for death and of the decadent «fin de siècle», inspired the professor at the Akademie Karlsruhe to create this hitherto unknown masterpiece, which has remained in aristocratic private ownership since its creation.
Authentication: We would like to thank Dr. Michael Koch, author of the catalogue raisonné, for the authentication and scientific consultation via
Provenance: according to the consignor purchased directly from the artist; since then private property of the family of Neveu, Durbach.
Catalogue raisonné: Koch 328, 357 (cf.).
Condition report 