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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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3372
Winterauktionen 19.–20.11.2021
Johannes Stumpf
Schweytzer Chronick: Das ist / Beschreybunge Gemeiner loblicher Eyd-gnoschafft Stetten / Landen / Völcker und dero Chronick-wirdigen Thaaten [...]. 13 parts in four vols. Zürich, Johannes Wolf, 1606. With illustrated woodcut title, a title page each surrounded by coats of arms, some, partly doublepage maps, numerous genealogies and woodcuts, depicting coats of arms, ancient inscriptions, portraits of emperors on coins, views of Swiss cities and battle scenes. DCCLXX sheets. Not collated. Contemporary vellum with reddish edges.
H 34, W 23 cm.
Johannes Stumpf (1500 - 1577/1578), a theologian and chronicler from Bruchsal who lived and worked mainly in Switzerland, wrote a richly illustrated Swiss chronicle, which was published for the first time in 1548 and republished in 1606. Most of the woodcuts in this visually stunning work were created by Heinrich Vogtherr the Elder (1490 - 1556). Numerous maps, coats of arms, coin portraits and illustrations of historical events, such as battles, constitute the majority of the depictions. But also unusual subjects, such as a genealogical tree of the Turkish rulers (first vol. sheet XIIII), a depiction of the knight Heinrich von Winkelried with the dragon he vanquished near the village of Wyler (third vol. sheet DXXIII), illustrations of Roman inscriptions in the abbey church of Saint-Maurice in the Valais (fourth vol. sheet DCLXXV verso) or a view of the city of Basel (fourth vol. sheet DCXCIX) complete this extensive testimony to an early modern, humanist understanding of the world.
Provenance: Library of the last Prince-Bishop of Basel Franz Xaver von Neveu (1749 - 1828); after his death it became private property of the family of Neveu, Durbach.
Literature: VD17 39:124186M.

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hammer price: 2000,- EUR
(starting price: 600,- EUR)