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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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2191
Winterauktionen 24.–25.11.2023
Lerch, Joseph Wilhelm attr.
1817 Freiburg i.Br. - 1901 ibid.
Panorama of the city of Freiburg i.Br.
2nd half 19th C. Watercolour and opaque white over pencil on thin brownish paper. Unsigned. Verso on the back of the frame an art print of the Kunstsalon Straetz with a detail of the watercolour as well as with the printed artist's and work's data.
H 40,5, W 129 cm (frame). Gilt frame.
For those who are interested in the urban development and history of Freiburg in the 19th century, the so-called «Lerchplan (Lerch map)» in the Freiburg city archives with inventory number 103 is well known. It bears the name of its creator and was commissioned by the municipal council in 1852 as a bird's-eye view of Freiburg as it expanded beyond the medieval city limits. Presumably close in time, Lerch, who modestly saw himself as an «ordinary draughtsman» in contrast to his academically educated artist colleagues, painted the present unfinished watercolour, which provides an accurate portrait of his hometown with a focus on the old town, the emerging Wiehre and Herdern. Its topographically detailed depiction satisfied the need of the time, when photography was still in its early stages, for vivid images. Many art lovers are familiar with the watercolour in its central section, as it was reproduced by the Kunstsalon Straetz as an anniversary print. Lerch quoted after: Berent Schwineköper, Joseph Wilhelm Lerch (1817 - 1901) und seine Freiburger Panoramabilder, in: Schau-ins-Land, 90th Annual, 1972, p. 151.
Provenance: Kunstsalon Straetz, Freiburg i.Br., private collection Black Forest.

Condition report  


 

starting price: 1500,- EUR