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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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3558
Herbstauktionen 19.–20.10.2018
Piranesi, Giovanni Battista
1720 Mogliano - 1778 Rom.
«Veduta interna del sepolcro di S. Costanza». 1756. Etching. Signed lower right in the plate. Titled lower middle. Inscribed lower left and lower right. With a wide margin and the usual central vertical fold. Traces of mounting outside the plate.
H 41,5, W 55 cm (plate), H 53,5, W 76,9 cm (sheet). Unframed.
Sheet 21 of the series «Vedute di Roma».
The first sheets of the 134 vedute in the series «Vedute di Roma» got published in the year 1751. Piranesi stages the shown monuments by using a dynamic perspective and exaggerated dimensions. Thus, the buildings jutting out behind the tiny staffage figures appear great and mighty by means of their richness of detail and a strong light-dark contrast.
Provenance: private collection Freiburg i.Br.
Catalogue raisonné: Hind 37 III.

deutsch 1720 Mogliano - 1778 Rom.
«Veduta interna del sepolcro di S. Costanza». 1756. Radierung. U.r. in der Platte sign. Mitte u. in der Platte bet. U.l. sowie u.r. bez. Mit breitem Rand um die Plattenkante und dem üblichen Mittelfalz. Montierungsschäden außerhalb der Platte.
H. 41,5, B. 55 cm (Plattengröße), H. 53,5, B. 76,9 cm (Blattgröße). Ungerahmt.
Blatt 21 aus der Serie «Vedute di Roma».
Die ersten Blätter der 134 Stadtveduten aus der Serie «Vedute di Roma» erschienen im Jahre 1751. Piranesi setzte die gezeigten Monumente durch eine dynamische Perspektive und übersteigerte Dimensionen in Szene. So wirken die hinter winzigen Staffagefiguren hervorragenden Bauten durch ihren Detailreichtum sowie starke Hell-Dunkel-Kontraste großartig und machtvoll.
Provenienz: Privatsammlung Freiburg i.Br.
Werkverzeichnis: Hind 37 III.
 

hammer price: 100,- EUR
(starting price: 250,- EUR)