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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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 Image under artist's copyright.

2012
Winterauktionen 25.–26.11.2022
Klinger, Max
1857 Leipzig - 1920 Großjena.
«Eine Liebe - Opus X (one love - Opus X)».
1920. Suite of ten etchings on chamois copperplate paper as well as title page. Each numbered lower right in the plate in Arabic numerals, inscribed «Opus X» and inscribed «Max Klinger» lower left. Sheet 6 titled «Intermezzo Adam und Eva und Tod und Teufel (intermezzo Adam and Eve and death and devil)» lower middle in the plate and inscribed «cachinnus auditur diaboli» lower left. Loose sheets in original half-linen folder with typographic title.
H 45 resp. 63, W 45 resp. 63 cm (sheet).
Complete portfolio of the sixth edition. Consisting of «Widmung (dedication)», «Begegnung (encounter)», «Am Thor (at the gate)», «Kuss (kiss)», «Nacht (night)», «Intermezzo», «Neue Träume (new dreams)», «Erwachen (awakening)», «Schande (disgrace)» and «Tod (death)».
Published by Amsler & Ruthardt, Berlin 1920. Printed by Otto Felsing. As with the previous editions, only a few copies of the last edition were printed
.
The title «Eine Liebe» gives a deep insight into the relationship of the sexes in the late 19th century and the conditions of love and sexuality. What begins as a seemingly accidental romance in the park and turns out to be an illegitimate love affair with pregnancy ends in a nightmare. Klinger's themes and depictions shocked Wilhelmine Germany and still show today how close love and suffering can be.
Provenance: private collection Lake Constance.
Catalogue raisonné: Singer 157-166.

Condition report  


 

hammer price: 2400,- EUR
(starting price: 600,- EUR)