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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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3224
Winterauktionen 20.–21.11.2020
Bamboccianti painter
Rome mid 17th C.
Family at the well.
Oil on canvas, relined. Unsigned. Surface soiling, white shrinking cracks, retouchings.
H 47, W 37 cm.
The term «bamboccianti» is derived from the Italian word «bamboccio», still in use today as a swearword, which in its original meaning refers to a shapeless doll. As the physique of the painter Pieter van Laer reminded his contemporaries of one, his personal epithet developed into a term for the mostly Dutch and Flemish masters who lived in Rome in the 17th century and concentrated on depicting the modest, coarse or even vulgar way of living of the penniless and beggars, the devious tramps and the poor craftsmen.
Provenance: private collection Ortenau.

deutsch Maler der Bamboccianti
Rom Mitte 17. Jh.
Familie am Brunnen.
Öl auf Leinwand, doubliert. Unsign. Oberflächenverschmutzung, Frühschwundrisse, Retuschen.
H. 47, B. 37 cm.
Der Begriff der Bamboccianti geht auf das italienische Wort bamboccio zurück, bis heute als Schimpfwort gebräuchlich, das in seiner ursprünglichen Bedeutung eine unförmige Puppe bezeichnet. Da der Körperbau des Malers Pieter van Laer seine Zeitgenossen an eine solche erinnerte, entwickelte sich aus seinem persönlichen Beinamen ein Begriff für die zumeist niederländischen und flämischen Meister, die im 17. Jahrhundert in Rom lebten und sich darauf konzentrierten, die bescheidene, derbe oder sogar vulgäre Lebensweise der Mittellosen und Bettler, der verschlagenen Landstreicher sowie der armen Handwerker darzustellen.
Provenienz: Privatsammlung Ortenau.
 

starting price: 700,- EUR