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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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 Image under artist's copyright.

2105
Winterauktionen 20.–21.11.2020
Schneider, Birgit
Born 1963 Munich, lives and works in Munich.
«Salome».
Acrylic on canvas. Signed lower right and dated (19)87.
H 145, W 109 cm.
At a banquet, the beautiful Salome is said to have enchanted King Herod so much by performing a seductive veil dance that he granted her a wish, after which she asked for the beheading of John the Baptist. The sensual and wicked eroticism of this perfidious arrangement excited the vivid imagination of artists of all eras. Birgit Schneider's version shows a self-confident dancer caught in a dynamic movement, with a shimmering, colourful cloth loosely draped around her hips. At second glance, a skull in the background can be assumed that refers to the fate of John.
Authentication: We would like to thank the artist for the verbal authentication and the confirmation of the subject, based on photos, 25.09.2020.
Provenance: private collection Klaus Hug, Freiburg i.Br.

deutsch Schneider, Birgit
Geb. 1963 München, lebt und arbeitet in München.
«Salome».
Acryl auf Leinwand. U.r. sign. und (19)87 dat.
H. 145, B. 109 cm.
Bei einem Bankett soll die schöne Salome durch einen verführerischen Schleiertanz den König Herodes so bezaubert haben, dass er ihr einen Wunsch frei gab, worauf sie nach der Enthauptung Johannes des Täufers verlangte. Die sinnlich-verruchte Erotik dieser perfiden Abmachung erregte die blühende Phantasie von Künstlerinnen und Künstlern aller Epochen. Birgit Schneiders Version zeigt eine selbstbewusste Tänzerin in einer dynamischen Bewegung festgehalten, ein flirrendes, buntes Tuch locker um die Hüften gelegt. Auf den zweiten Blick erahnt man im Hintergrund einen Totenkopf, der auf das Schicksal des Johannes verweist.
Echtheitsbestätigung: Wir danken der Künstlerin für die mündliche Bestätigung der Echtheit und des Sujets, anhand von Photos, 25.09.2020.
Provenienz: Privatsammlung Klaus Hug, Freiburg i.Br.
 

hammer price: 255,- EUR
(starting price: 300,- EUR)