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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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 Image under artist's copyright.

2022
Frühjahrsauktionen 14.–16.06.2012
Ernst, Max
1891 Brühl b. Köln - 1976 Paris.
E Untitled. Circa 1955. Reverse glass painting with oil and gouache. Verso dedication and signature «A Eduard l'ami Max Ernst». Original artist's frame. Provenance: Eduard Loeb, Paris; South German private collection. Exhibition: Die Erfindung der Natur, Badischer Kunstverein Karlsruhe, 21.05. - 10.07.1994, and Rupertinum Salzburg, 21.07. - 04.09.1994. Literature: Die Erfindung der Natur, Karlsruhe and Salzburg 1994, ill. p. 4. Catalogue raisonné: Spieß/Leppien 3106.



deutsch 1891 Brühl b. Köln - 1976 Paris.
Ohne Titel. Um 1955. Hinterglasmalerei mit Öl und Gouache. Hinter einer konvex gewölbten Glasscheibe gemalte vielfarbige Abstraktion in den Farben Rot, Gelb, Blau, Grün und Schwarz. Verso Widmung und Signatur «A Eduard l'ami Max Ernst». Originaler Künstlerrahmen. H. 21, B. 11 cm.
Max Ernst gehört zu den großen Revolutionären der Kunst des 20. Jahrhunderts und erfand als Autodidakt neue indirekte künstlerische Techniken wie die Frottage und die Grattage, die darauf abzielen, die Hand des Künstlers und den schöpferischen Prozess unkenntlich zu machen.
Die eindrucksvolle Hinterglasarbeit, die durch ihre Gestaltung verschiedene Assoziationen, wie etwa die eines polierten Edelsteins, hervorruft, wurde gemeinsam mit anderen Werken, u.a. von Paul Klee und Jean Dubuffet, in der Ausstellung «Die Erfindung der Natur» im Kontext der Naturbetrachtung der Surrealisten präsentiert. Die dort gezeigten Werke unterstreichen die These, dass wesentliche Aspekte einer surrealen Ikonographie von der Auseinandersetzung mit einem Naturverständnis herrühren, das von den Künstlern in einem metaphorischen, symbolischen oder metaphysischen Sinn formuliert, grundlegende Momente der Beziehung des Menschen zur Natur in Projektionen nach innen (Psyche) und nach außen (Wirklichkeit) untersucht und offenlegt.

Provenienz: Eduard Loeb, Paris; süddeutsche Privatsammlung.
Ausstellung: Die Erfindung der Natur, Badischer Kunstverein Karlsruhe, 21.05. - 10.07.1994, und Rupertinum Salzburg, 21.07. - 04.09.1994.
Literatur:
Die Erfindung der Natur, Karlsruhe und Salzburg 1994, Abb. S. 4.
Werkverzeichnis: Spieß/Leppien 3106.
 

hammer price: 67000,- EUR
(starting price: 65000,- EUR)