.
Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
Results of your search
Matches:
2/4 back 
| overview 
| continue 
| send e-mail 
| Survey of the artists
 Image under artist's copyright. |
2031
Herbstauktionen 04.–05.10.2013
Krauskopf, Bruno
1892 Marienburg - 1960 Berlin.
«Mutter und Kind (mother and child)». Oil on canvas. Signed lower right. Verso on stretcher frame inscribed «WZ-AM 14». Authentication: We would like to thank Mrs Angelika Blaeser, Norbert Blaeser Gallery, Steffeln, for the authentication via 
1892 Marienburg - 1960 Berlin.
«Mutter und Kind». Öl/Lw. Expressionistische und in breitem Pinselduktus gearbeitete, farbintensive Darstellung einer auf einem Stuhl sitzenden Frau ihr Kind auf dem Arm haltend. U.r. sign. Verso auf Keilrahmen bez. «WZ-AM 14».
Krauskopf war Mitglied der Novembergruppe und der Freien Berliner Sezession. Seine Werke wurden von der nationalsozialistischen Regierung als «entartet» eingestuft, und Krauskopf emigriert zunächst nach Norwegen. Unterstützt von George Grosz, knüpft er später Kontakte zur Kunstszene in New York, bis er schließlich wenige Jahre vor seinem Tod in seine Heimat zurückkehrt.
Echtheitsbestätigung: Wir danken Frau Angelika Blaeser, Galerie Norbert Blaeser, Steffeln, für die Bestätigung der Echtheit via
Das Gemälde wurde laut Angaben von Frau Blaeser in den frühen 1990er Jahren in der Galerie in Düsseldorf ausgestellt und im Ausstellungskatalog auf 1942 datiert.
Provenienz: Galerie Norbert Blaeser, Düsseldorf.