© 2004-2024 Auktionshaus Kaupp GmbH   Impressum   Datenschutzerklärung E-Mail            Telefon +49 (0) 76 34 / 50 38 0

Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

Results of your search

lotimage

popup

viewdetaildetaildetaildetaildetailsignature
 

5455
Herbstauktionen 06.–08.12.2012
Vernet, Joseph
1714 Avignon - 1789 Paris.
La tempête. Oil on canvas, relined. Signed lower right and numbered «N. 21», dated 1760 lower middle. Heavy retouching. Catalogue raisonné: Ingersoll-Smouse 746.



deutsch 1714 Avignon - 1789 Paris.
La tempête. Öl/Lw., doubl. Unter schwarzen Gewitterwolken mit einem in der Bildmitte niederzuckenden Blitz ein in eine felsige Küstenlandschaft eingebetteter Hafen mit aufgewühltem Meer. Hinter einem großen Felsen ein zerschellter Großsegler, auf dem Wasser ein Rettungsboot und sich an Trümmer klammernde Menschen, im Vordergrund mit Rettungsversuchen beschäftigte Helfer, in einem Hafengebäude zahlreiche Zuschauer der Katastrophe. U.r. sign. und «N. 21» num., u. Mitte 1760 dat. Starke Retuschen. H. 101,5, B. 127 cm.
Vernets Seestücke bestechen durch das ausgewogene Verhältnis zwischen unmittelbarer Naturanschauung und sorgfältig komponierter Anlage. Mit besonderer Sorgfalt behandelt der Künstler auch stets die Figuren, deren Bedeutung im Bild dadurch über reine Staffage hinausgeht.
Der Künstler betont die Dramatik des Schiffbruches durch starke Hell-Dunkel-Kontraste. Der Betrachter des Bildes, unfähig, in das nach Hilfe verlangende Geschehen des Bildes einzugreifen, findet seine eigene Position in der Zuschauermenge unter der Bogenarchitektur gespiegelt.

Werkverzeichnis: Ingersoll-Smouse 746.
 

starting price: 9000,- EUR