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Carl Spitzweg

5th February 1808 – 23th September 1885

Carl Spitzweg was born on 5th of February in 1808 in Unterpfaffenhofen, Bavaria. Although trained as a chemist, he discovered quite early his talent for drawing and his affinity with art. Spitzweg travelled extensively during his lifetime and the impressions formed by his travels greatly influenced his work. Shortly after completing his studies in pharmaceutics in 1832, he visited Italy. It was particularly in the cities of Florence, Rome, and Naples that he discovered the many significant works of Western culture which were to leave a permanent imprint on him.

A severe case of dysentery in 1833 strengthened his resolve to abandon his career as a chemist and he proceeded to commit himself solely to his painting. In June 1835, he became a member of the Munich Art Association and travelled that same year to southern Tirol with the landscape painter Eduard Schleich, the Elder.

In 1839 he completed his first painting entitled ''The Poor Poet'. Although this recurring motif would later be considered his most well-known body of work, the painting was not accepted at this time by the jury of the Munich Art Association.

As regards his graphic production, the first publication in 1844 of his own illustrations in the Munich weekly paper 'Fliegende Blätter' is considered quite significant. His visits to the Industrial Exposition in Paris and the World's Fair exhibition in London in 1851 were his first contact with the Oriental scenes which would begin to inform his work.

To the deserving painter were bestowed numerous honours during the second half of Spitzweg's lifetime: in 1865 the Bavarian Royal Merit Order of St. Michael was conferred upon him, and in 1875 he was named an honorary member of the Academy of Fine Arts.

Carl Spitzweg died on 23th of September in 1885 and was entombed in the historic South Cemetery in Munich.

He leaves behind a body of work dedicated to the townspeople who inhibit his genre scenes, and with acute and pointed, but never ill-natured humour he portrays the everday bourgeois life of his time.

Lit: Siegfried Wichmann, Carl Spitzweg. Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart: Belser, 2002.

Carl Spitzweg

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3245
Winterauktionen 25.–26.11.2022
Koester, Alexander
1864 Neustadt - 1932 Munich.
Coffee break.
Oil on canvas. Signed lower right.
H 78, W 94 cm (support). Elaborate frame.
Mainly known for the numerous depictions of ducks in his works, Alexander Koester's pronounced preference for the duck motif led to the nickname «Enten-Koester (duck-Koester)». However, he also painted numerous other themes, such as still lifes, landscapes and interiors. Here we see two women and a little girl in a parlour, busy sewing and enjoying a coffee break. In an impressionistic manner, Koester captures the light-flooded parlour and provides an insight into everyday life at the turn of the century. The loving gaze of mother to child lends the scene a cosy and touching atmosphere. He often depicted the same subjects with only a few modifications.
The present work is a variation on Alexander Koester's painting «Kaffeepause (coffee break)», recorded under catalogue raisonné 17, which was sold at auction at Christie's New York in 1992 (lot 79) for 100.000 US Dollars. A comparison of the two paintings shows only few differences. Composition, colour palette and signature are typical of the artist's genre paintings of the period between 1890 and 1898
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Provenance: private collection Northern Black Forest in third generation.
Catalogue raisonné: Stein/Koester 17 (cf.).

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hammer price: 9000,- EUR
(starting price: 6000,- EUR)